Yunnan Female Artists Living Situation Visual Culture Of The Artistic Language And Interpretation

This article in view of visual cuture,combined with history,sociology,psychology andHeidegger’s theory,would analyse in depth the connection between survival pattern of femaleartists and the language of creation,which describes the way of influence coming from mergingprocess of culture from east and west,and the art in special regions,as well as individualizedcharacteristics of female artists. It will further discuss the regional feature and different survivalpatterns of female artists in Yunnan province,and play special emphasis on the discussion of theenlightment brought by Liu Ziming,Sun Guojuan,Fu Liya,the three artists’development in art,creative mode and psychological connotation and other aspects,aiming at excavating in the specialhistorian zone social and psychological reasons how the current art state of Yunnan female artistsform,and reveals the foothold for researching independence of female art and the value andrealistic meaning of female art in current art’s context,through the three typical artists’ personalcases study,such as their apprenticeship experience,the form or revolution of psychological andartistic language,social identity influence on art creation,the analysis on words of art worksetc.,additionally,through the analogy of regional and central culture and western art (includingfemale art).