On Zhang Yimou Films Feudal Family In Shaping The Visual Image Of Women

In today’s society, the film in the spread of culture plays an important rolein the process,Zhang opened a window of China’s original film pattern, to the westernworld and shows a previous different scene in China, attracted the attention ofwestern culture to China. Zhang Yimou’s success is a legendary Chinese cinema, soZhang Yimou film has become a focus of the educational world attention. He throughpersonalization of Chinese national culture, to the world of the road to successfor domestic movies, become a brand of Chinese cinema, female images in the ZhangYimou film is a bright spot in his movie, women seem to be in the early feudal familydrama are oppressed, the image of being bullied, their fate, and ultimately is atragedy to end life. Zhang Yimou, shaping the image of women still can not escapefrom the tragedy of life, but in the pursuit of a better future in the process ofthese women are showed and destiny confronting the bravery and firm faith for a betterlife. From the perspective of movie ontology, this paper chose the early two filmsof ZhangYimou "ju dou," raise the red lantern "the female images were analyzed. Bydedicating language film directed by ZhangYimou, female image is an importantelement in Zhang Yimou film, he through film media shows us in the family statusof women from all walks of life in China and the value of their existence.Film about scope is limited to "Judou," raise the red lantern "the two movies.He used the means of rhetoric, through visual shape women, from the choice of theheroine, garments, and action, point and composition, space and the spatialrelations aspects of female image.