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Chinese Ancient Statues Of The Modeling Language And The Influence On Contemporary Sculpture

Posted on:2013-09-05Degree:MasterType:Thesis
Country:ChinaCandidate:B ZhaoFull Text:PDF
GTID:2285330362464138Subject:Art of Design
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The statues of ancient Buddhist art in China has a long history, thousands of years, ourancestors in this vast land, the creation of many classical statues. Brilliant Chinese Buddhistart is profound, glorious past and present. Its shape is a lively image vivid and trueeverywhere reflects the wisdom and skill of our working people, is indeed China forthousands of years of fine traditional culture is an important part. This article discusses fouraspects of the derivative of the Chinese Buddhist statues, the modeling language of theBuddhist statues, Buddhist Sculpture, how to learn the classic art of the Buddhist statues inthe evolution of the Chinese history and modern sculpture.The first chapter from the introduction described the significance of the topic of the paperand the approach to the study at home and abroad for the Research and the Journal of theBuddhist Sculpture.The second chapter discusses the aesthetic features of the Chinese Buddhist statues, sixdiscusses the modeling language of the Buddhist Sculpture and Contemporary SculptureBuddhist Sculpture essence of inheritance and development. First: the Buddhist statues towrite to the characteristics of God, expounded China’s ancient Buddhist statues expressivecharacteristics as well as contemporary sculpture for the use of the characteristics to write toGod and play. The second aspect: the perceptual processing of the Buddhist Sculpture featuressculpture space, combined with the history of the picture described in the ancient Buddhiststatues space processing techniques and study of contemporary sculpture sculpture spaceperceptual skills. The third aspect: the Buddhist statues in the plastic volume paintedqualitative techniques combined with the painted quality of contemporary sculpture plasticvolume for analysis. Fourth: the use and development of the line in the Buddhist statues, andcontemporary sculpture for the lines and development. Fifth: the decorative feature ofBuddhist statues and skills of contemporary sculpture, decorative art features. Sixth: theimagery of the Buddhist Sculpture at the same time described the combination of the use and development of contemporary sculpture for the image. Through the elaboration of the sixareas to understand the advantages and disadvantages of the modeling language as well ascontemporary sculpture of the ancient Buddhist Sculpture profound inherit and carry forwardthe culture of traditional Chinese sculpture.Chapter III discusses the ancient Buddhist statues of various periods of the rheologicalvarious periods of Buddhist statues showing different characteristics, understand the contextof the development of China’s ancient Buddhist statues Buddhist statues of various periods ofchange.Chapter IV discusses the significance of the ancient Buddhist statues for the reference ofmodern sculpture..
Keywords/Search Tags:Buddhist statues modeling, language of contemporary sculpture, developmentand use of reference
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