Qu Xixian Works For Chorus Singing Treatment

Mr. Qu Xixian served as vice president of China Musician Association andChinese Musicians Association consultant, is China’s most influential femalecomposers, after70years of writing career and created a large number of winuniversal praise music works, such as:1953" people all over the world heart a",1957"listen to the stories of the past the story",1964" proletarians of the world unite",1981’s" call my nick name",1982," flying petals" and so on, these outstanding choralworks contains superb writing skills. More important is Mr. Qu Xixian is good atgrasping the characteristics of the times, at different times to create differentconsistent with the age of the choral works, this is every composer can do it. With thededication of Mr. Qu Xixian at the age of86for Chinese film music lifetimeachievement award.This paper has four chapters: the first chapter of introduction, Mr. Qu Xixian.The second chapter, Qu Xixian ’s chorus music features; the third chapter, Qu Xixianclassical choral works singing treatment. From four aspects: one is the works beforethe rehearsal preparations--voice training; two is in the process of singing voiceanalysis and training; three is the relationship between the four voices; is B grasp. Thefourth chapter: Qu Xixian choral works to contemporary influence;The third chapter is the Chongzhongzhi is heavy, the first rehearsal before thevoice training is a lot of knowledge, including position, status, or breath support andso on; the second process in concert sound analysis and control is more difficult, firstget a repertoire of how to put the melody outstanding come out, then we need toanalysis whether it belongs to what types of melodies, such as the main melody,melody, harmony and melody, rhythm, melody type decorative melody, melody,polyphony melody foundation type and so on. Different types of melody withdifferent position, main theme to highlight, and auxiliary melody to foil, and type ofmelody to be know that you are in the root, three tone, tone or its position, theprotruding, Cain ’s hidden, the tendency of the tendency, the maintain maintain. Thethird point is the relationship between the voice parts, handover between the rod isvery important, and sometimes need to part between the imitate each other, sometimesneed to part between the contrast, in conclusion part between the connectionrequirements of quality on the mutual unity and coordination. Finally the repertoire ofthe style of the overall grasp. The fourth chapter Qu Xixian chorus effect on contemporary world.Her works, sincere and simple, with its distinctive artistic features and superbwriting skills in Chinese chorus works occupy a very important position in it throughto its chorus art comprehensive characteristics analysis as well as on some of itsrepresentative works in concert sound treatment for the specific analysis, not only canmake us more comprehensive, detailed, profound understanding of Qu Xixian choralworks artistic charm, but also through the issue of discussion, but also so that we canmore accurately understand and grasp its choral works, not only for our commandingrehearsal Qu Xixian choral works can provide practical guidance significance; at thesame time, but also for the chorus teaching and choral works theoretical research toprovide some beneficial reference and thinking.