On Life And Death Fatigue’s Folk Resources

In the history of Chinese rustic novels, Mo Yan is undoubtedly a specialpresence, especially after the2012Nobel Prize for Literature, Mo Yan and his workhas sparked widespread attention, become a hotspot for China and the world ofliterary studies. From entering the literary world, he always insisted stood out thecreation resources from the complex civil society, each of his works always givereaders a sense of novelty. But Life and Death fatigue is to farmers for land very hardstick to shock the reader’s mind, he make the folklore, stories, and Buddhistphilosophy with six reincarnation of the Eastern imagination as the overallframework structure of the novel, make the Buddhist culture and thought to penetrateinto the works,this imagination ways,which make the folk tales, history andcontemporary society together, is a Chinese style folk imagination in the form oflocalized. He interpretation of historical changes of rural community for us, based onabsurd, dramatic, and Carnival style of narration.This work has also been called his" iconic " high-density township on the Gaomi northeast county countryside, soresearch Mo Yan will not avoid this work. In this paper, research from theperspective of "folk resources", analysis the causes the creation of Mo Yan’simmersion in folk culture,through to research presented folk culture resources in theworks to explore Mo Yan’s creative use of folk resources and empower those folkresources new connotations of meaning, and the analysis of the life and death offatigue and and the analysis of the fatigue life and death and the ideologicalconnotation of Mo Yan’s use of private resources creative inspiration tocontemporary literature.This paper from the five aspects analysis Life and Death fatigue’s folkresources:The first part, as an exordium, outlines the background, significance, currentresearch and research purposes,analysis the "folk culture" contents and Mo Yanchanging of the civil society in the creation of the position of the contents of adetailed explanation.The second part, analyzes the reasons for creation of Mo Yan’s use of folkresources, from the author’s childhood experiences, at the home of local culture, theimpact of works of foreign authors, and analysis on Mo Yan’s reasons for findingcreative resources from civil society.The third part,from the begins with the folk resources presented in Life and Death fatigue, analysis on Mo Yan’s folk oral literature, folk customs, folk religiousbeliefs borrowed, to explore people’s ways of life, cultural practices and theimplications of Mo Yan’s creative use of folk resources, further analysis of Mo Yan’sreligious belief, worldview, and so on.The fourth part, from a historical look at civil discourse discussed under MoYan’s creative intent, creative skills, and text reflected the ideological connotations.The fifth part,mentioned above on the basis of analysis the Life and Deathfatigue use of folk resources creative to enlightenment of contemporary literary.In a word, learn from folk resources necessary nourishment and spiritualresources,to complement the contemporary literature of "hemorrhagic" deficiencies,this has a profound impact on the development of contemporary literature.Therefore,the use of writing on contemporary literature and Chinese folk culture resourceswriter’s creative inspiration and great significance.