Study Of Zheng Music Shi Liu Ban In Ancient Score Xian Suo Bei Kao In Qing Dynasty

Nineteen years Jiaqing in the Qing Dynasty(1814), the Mongolian scholar Rong Zhaicompiled tablature “Xian Suo Bei Kao” in the collection of the first(with a moredetermined traceable source), Lryic Chinese music history can be found complete Chinesezither music scores recorded. Therefore, through the “Xian Suo Bei Kao” in the guzhengscores of mining, research could explore the Chinese zither music history in the oldestoriginal spectrum, experience was “now the performance of” wit. The “Shi Liu Ban”Over the years the focus of the study, which included “Ba Ban” is the earliest extantrecord score of traditional Chinese folk bone spectrum “Lao Liu Ban”, after the Chinesefolk music of their heritage and have a profound impact on the development.Zheng music of the “Shi Liu Ban”, this paper as a research object, using synchroniccomparison from the ontological structure of music, playing techniques and traditionalChinese aesthetic culture under the background of music, in the same space with linksbetween the Western musical system. Diachronic comparative study exploring derivedfeatures of the “Lao Liu Ban”, in the course of the folk music and tradition of previouslegacy. Using the theory of Chinese traditional music, the "native" context context forinterpretation of the “Shi Liu Ban” zither of spectrum. First of all, by discussing the modeof transmission of the “Shi Liu Ban”, comparison of Western polyphonic thinking toanalyze the structure of the musical form of the “Shi Liu Ban”, in the context of traditionalChinese music theory according to which sets out its musical form, thus establishingresearch and exploration direction of the paper. From formulate the string, variation,playing techniques, analysis of the “Shi Liu Ban” surface structure of a body of music, andexplore the Lao Liu Ban impact and evolution of traditional folk music forms. Finally useOriental philosophical reflection on traditional Chinese folk music is cooperation,derivation, variation of aesthetics. Essentially a cognitive architecture, historic and artisticform value. Accordingly, this article drew the following conclusions:1the Zheng music in string cable note on the “Shi Liu Ban” is a song based on thechord formulate the string, variations on body structure is the framework’s solo music.2, the Zheng music in string cable note on the variation of the “Shi Liu Ban” zithermusic research and practical techniques of playing provided one of “gong che” notationexample and the source.3, added a unique text for the Chinese guzheng music history research information andtraditional hands-on play.4, through the use of traditional Chinese thinking of the “Shi Liu Ban” zither MusicOntology spectrum analysis of musical structure, standing on the perspective of localmusic culture of today’s study on the subject of academic research to the possibility ofanother explanation of the “Shi Liu Ban”.Above, in Qing dynasty ancient spectrum chords cable note under in the Zheng song“Shi Liu Ban” under for we retained has one first “gong che” spectrum recorded of zithervariations scores learning model, also for scholars were research this class in the Westernmusic culture, and thinking way, and aesthetic charm of similarities and differencesprovides has precious of text information, in show China traditional music aesthetic Verveof while, also orders moderns began reflection: from Rong Zhai "this of ancient" brings ofon traditional parent culture of return, on Oriental classical aesthetics in psychologicalaesthetic and the actual played Shang of pursuit.