Bai Xiaojun Landscape Painting Planar Formation Elements And Form The Use Of The Research

Chinese landscape painting since the wei jin southern and northern dynasties period, with the attitude of independent type in sui and tang dynasties after the Chinese painting, through various dynasties, one thousand four hundred years of evolution, to become one of China’s most influential and vitality of the picture. When the qing dynasty painter Shi Tao cloud:"ink with The Times", a lot of outstanding in the field of contemporary landscape painting painters use this sentence produced many excellent works in practice. Since reform and opening up, the further development of Chinese society, Chinese and western culture blend, further make Chinese landscape painting more actively absorbed the western art theory and art forms. Modern and contemporary with the increase of the amount of information, the influence of foreign culture, in order to adapt to the aesthetic needs of The Times, Chinese landscape painting is also in constant innovation. Not blindly adhere to the development of traditional Chinese landscape painting, but on the basis of traditional development. Many contemporary landscape painter in the traditional Chinese painting, on the basis of the composition of the western philosophy into the creation of Chinese landscape painting, make the creation of landscape painting form more rich.Planar formation in western design field three constitute one of its abundant composition form brings highly impact the visual perception of people. The composition of the basic point, line and plane element and the composition of Chinese landscape painting midpoint, line have inherent connection. Pen and ink is the main instrument of Chinese landscape painting, points, lines in the pen and ink performance also constitutes the main forms of Chinese landscape painting. With the development of Chinese education, the contemporary Chinese landscape painting, also gradually learned from western forms of graphic elements, reflect in the basic point, line and plane combination and arrangement, and combination in the form of space. In this respect, the Bai Xiaojun in his landscape painting creation for reference, in his works about the implicit performance. His work the use of point, line, and the combination of space form, in the traditional Chinese painting, on the basis of absorbing the composition of the planar formation elements and composition forms, to features of north Guangxi region and along the Lijiang river landscape. His landscape painting work characteristic, boundless beauty, but not traditional, contemporary and modern. Based on Bai Xiaojun landscape painting works as an example, this paper focus on the planar formation elements and form in the use of his landscape paintings, found the regularity, innovation to provide more reference for landscape painting.The paper’s first chapter Bai Xiaojun landscape painting works, the formation of the style characteristics, firstly illustrates the Bai Xiaojun landscape painting style formation of the cultural context, is based on the background of reform and opening up, he began to enter the professional learning and development process. In such an era of open inclusive, the intersection of foreign culture and Chinese culture, the formation of Chinese and western culture blend. He study at school traditional culture at the same time, the concept of western art. Also because such a long-term in Guilin international tourism city, access to a large number of foreign culture and concepts. In such an environment, combined with their own love try innovative personality, has created the style of his works on the basis of the traditional absorption western idea to express. Second is the analysis of characteristics of Bai Xiaojun landscape painting works of art, through the aesthetic characteristics of the Lijiang river basin as well as the composition and the analysis of the pen and ink, explore their thought in his works conveys the powerful open and your mind beautiful deep artistic style.Paper in the second chapter mainly introduces Bai Xiaojun landscape paintings in the use of planar formation elements and form. First introduction to his work and relationship of the basic form of planar formation, through overall summarized to explore the inner link between the two. Followed by the Bai Xiaojun landscape painting works use of planar formation elements and form were analyzed, and this is the focus of this paper. In this chapter, planar formation elements and form the concept of point, line, face of each element is introduced, and the planar space form, for example:repetition, approximation, gradient, launch, contrast, dense, and so on. Introduced Bai Xiaojun landscape painting works, how to apply the planar formation elements and form, the use of a large number of illustrations, focuses on analyzing his works of graphic elements and the form of reference, the purpose is to find using planar formation elements in Chinese landscape painting creation and the law of the form and method, can more and better reference in the creation of planar formation elements and form, on the basis of inheriting traditional, open a new road of innovation.Paper third chapter that landscape painting create Bai Xiaojun using planar formation elements and form of significance. Using planar formation elements and form that this is the approach of contemporary landscape painting creation. Based on the aesthetic needs of modern people, a lot of Chinese contemporary artists from the planar formation elements and form for creation, some expression is dominant, some is recessive. On this issue, should be established to position in Chinese traditional culture, and actively absorb foreign culture thought, the concept of traditional culture and western modern art together. The second plane constitute elements and forms of contemporary landscape painting innovation enlightenment. Through Bai Xiaojun and other artists work as you can see, using the planar element in contemporary landscape painting creation and form for the use of innovative thinking, and explains the form of positive significance and enlightenment of the contemporary Chinese landscape painting innovation.