Going Westward Blend Of Research And Musical Culture Of The Western Region Of Inner Mongolia

The historical process-Going out of West Pass, it may be said, is the peo ple’s struggling immigration history in the northern parts of Shaanxi and Shanx i provinces. To make a living, they have no choice but to leave their hometow n and go out alone.Going out of West Pass, not only opens a way to make a living for the Han Chinese in Jin-Shaan areas, but also plays an important role in the changing of economic development of the undeveloped western regions in the Inner Mongolia.Going out of West Pass, is a spontaneous immigrationpr ocess of the local floating population, and its main character is the fluidity. The large migrant population can cause the competition of local resources betw een the Mongolians and the Han, then leading to conflict. But, after a time of adjustment, the two nations can form a resource sharing unit.Then, the external Han gradually becomes localized, and the Mongolians, deeply affected by the Han culture, gradually accepted the Hans and the local customs. After the long-term cultural exchanges, they not only have a lot in common in the custom, but also produce an unique culture of music popularized in the Mongolian&Han areas through cultural conflicts. During the late Guang Xu period, the Sha nxi opera were strongly welcomed by locals in Tumochuan area in the western Inner Mongolia. And the Mongolian drama actors first appear in Tumochuan ar ea, then prospering in Suiyuan and Baotou districts.On the basis of incorporating Mongolian culture, it gradually forms a so-called "West Culture" among the Goi ng-out-of-West-Pass immigrants. And the most representative ones are the Inne r Mongolia-Han melody and Errentai opera. There exist different opinions on the g eneration of Errentai opera. Most adopt the opinions that it generates in the mid dle and later periods of Qing Dynasty, incorporates the tunes in Jin-Shaan mou ntainous regions, and forms unique regional music culture which represented by the Inner Mongolia-Han melody and Errentai opera today.This article focuses o n cultural combination of the Going-out-of-West-Pass music through comparative a nalysis and empirical analysis. It demonstrates the blending of the background of multicultural music and the music noumenon, and goes deep into the impact on mu sic culture of Inner Mongolia by the historical process-Going out of West Pass. Through research on the impact of junction culture, the study finds that the regi onal cultural features and historical features are widely researched in the current1iterary study. However, there is less study on the singing styles and the inheritanc e as the intangible cultural heritage of spread music culture. Through the sound,r hythm, tone, keys, styles in the Mongolian&Han areas, this paper mainly stud ies the Inner Mongolia-Han melody and Errentai opera formed by Going-out-of-W est-Pass culture. With digging deeper into music culture handed down by the h istorical event, the traditional music culture will be inherited and developed, and the intangible cultural heritage will spread.