The Historical Origins Of The Han And Tang Pipa

This paper includes two parts:the first part is the Han and Tang Dynasties,the existing types of pipa, Pipa related by reading history books, and from the musical Archaeology and music image, detailedly analyzes the types ofpipa.’development and evolution of the Qin and Han Dynasties’ pipa,correct "Tongdian" cover in the Qin and Han Dynasties law. The second part is the Han and Tang Dynasties, development and reason of the pipa,the same is the study of music history, combined with the historical data for the pipa lute into time, way, and in the development of Han and Tang Dynasty Pipa China evolution, gradually become the carding process Chinarepresentative instrument of.In the Eastern Han Dynasty historical books, historians to write the Chinesethe earliest pipa, if the Eastern Han Dynasty is the earliest written record,that proves the pipa this instrument have been around for over twothousand years of cultural history, the pipa is an ancient ethnic plucked instruments, it is simple, it is powerful, pipa in Chinese music always shine.Reading through the search, find music archaeologists and historians,experts from research on music frescoes and ancient literature, put forward new categories of ideas on the pipa. And with the literature study andimaging confirmed the Pipa and a name ’Han’ presence’, put forward by the Qin and Han Dynasties’ this class, also found problems related to historicalomission of Pipa this national musical instrument has a lot of, such as the’Han ’Pipa’ history, the difference between the Qin and Han Dynasties’ and "Qin man" rhythmic notation, that is not involved with the study.The origin of this instrument, Pipa afferent development issues related to research situation and the research background of more, and in the research literature and the image and a new type of ’on the pipa in Qin and Han Dynasties’ less, look from whole, most of the research field China istouched in the Pipa and at home the development situation, and theconclusions of historical development,’Han’ Pipa is not there. Chinascholars’ Han ’Pipa research more for the identification of Pipa on the shape, and the difference between’ Qin Pipa Pipa ’and’ Han’, and’development of the Qin and Han Dynasties’ does not involve the pipa. This paper will try to start from a new theoretical perspective, the pipa thisnational musical instrument in the Han and Tang Dynasties in thebackground on study, comparison and analysis, hoping to provide a reliable theoretical basis for the current lack of research on the Qin and Han Dynasty Pipa this new class of this aspect, in order to stimulate the musiclike the pipa music research scholars, the pipa further explore its charm,this article from the perspective of Han and Tang Dynasties to the Pipa and Tang history and historical issues, to supplement the historical integrity Pipacategory.