Intersubjectivity Perspectives Of Classical Aesthetics Category "You"

Chinese classical aesthetics, there is a very important category in "swim", thiscategory includes inside a spirit beyond, it is a kind of aesthetic existence, also is a wayof aesthetic experience. There are some on behalf of the ideas in this category, such asTaoist "xuan", Confucian "swimming in arts","enlightenment" of zen, and so on, thelater literati aesthetics about the "you" has countless, shows the importance of thiscategory in Chinese classical aesthetics. But many studies of "you" is from the traditionalmode of thinking of subject-object dichotomy, this article try to research from theperspective of intersubjectivity under this category, mainly because of Chinese classicalaesthetics has its own characteristics, contains a kind of classical thought ofintersubjectivity. Appeared with the development of Chinese aesthetics, aestheticcommunity after practice aesthetics--intersubjectivity aesthetics, the aesthetic thoughtswill inevitably play an important effect on the future development of the Chineseaesthetics.This article is divided into five parts. First is the introduction, this part points out thewriting purpose and significance of this paper, expounded the present status of theacademic study of this topic, and in the study, the difficulties of this paper and theresearch methods adopted.The first chapter mainly elaborates the related theory and connotation ofintersubjectivity. First of all, from the development course of Chinese aesthetics, sums upthe development of Chinese aesthetics, highlighted in entering the post-modern society,aesthetics and after entering the stage of practical aesthetics-intersubjectivity aesthetics.Then introduced the theory of development in the west and China, the basic category ofthe theory, theory of advancement and development inevitability.The second chapter tries to find out the Chinese classical aesthetics category "swim"and the correspondency of intersubjectivity theory, this also is the key of this thesis. Firstof all done a basic "swim" field, combined with the feature of Chinese ancient culture, inthe process of interpretation of the connotation of the category, find the correspondencyof both-aesthetic sympathy, further to analyze the intersubjectivity aesthetics of Chinesestyle. The third chapter further explores the "swim" intersubjectivity horizon of theaesthetic connotation, discusses "swim" this category as the main body in the "self" allaspects of aesthetic implications."Swim" aesthetic connotation is rich, generations ofliterati and scholars is made great contribution to the development of this category, left aprecious spiritual wealth for later generations. In a new way of thinking to analyze, tryingto find something new.The fourth chapter discusses the practical significance and the value of the selectedtopic, also is this article foothold in the end. With different thinking to think, is to letpeople get more inspiration in real life, is also the fate of the development of Chineseaesthetics and opportunity. From the cultural treasures of Chinese classical aestheticsbasis for the development of intersubjectivity aesthetics, is bound to promote thedevelopment of the theory to be more perfect, more generality, it is a win-win situation.