Communication And Aesthetic Significance Of The Study Before The Founding Of Music In China

Facing the current situation of Chinese modern music aesthetics, aesthetic look before the founding of music spread in China, the study of music aesthetic significance in China, as discussed in the purpose of my master’s thesis. Before the founding of this time in history mainly in the late Qing Dynasty to the founding of New China for clues, from the introduction of Western music, new music connotation of historical changes, aesthetic flourish, music, musical wave of controversy and Western relations, the anti-Japanese national salvation Research nearly five decades of music aesthetics spreading in China and so on. For music Aesthetics, the early study in Japan, Europe and the musicians will introduce it to China, and then gradually formed a complete system of academic disciplines, and collide with the aesthetics of traditional Chinese music, fusion, looking for hidden transaction era common phenomenon behind the music. Before the founding of the development of Chinese music aesthetics experienced by the Western musical culture into the musician active learning Western music, Western music from the controversial relationship to the way traditional Chinese music thinking process, its spread and significance is worthy of study.This paper is divided into four parts, the order of time. The first chapter is the ancient and modern social transformation and Western music passed, discusses the background of ancient and modern social transformation, way incoming Western music, values of the Enlightenment school songs, the collision of Chinese and Western musical ideas and utilitarian purposes. The second chapter of Enlightenment art education and aesthetic theory building, from practicing enlightenment art education, art education aesthetic premise of the Enlightenment, highlighting the aesthetic consciousness aesthetic sense to discuss means of transmission and spread of aesthetic theory. The third chapter discusses the spread of Chinese music aesthetics diversity, from concept and essence, value and function, form and content, ancient music with this music, styles and concepts to discuss the spread of musical aesthetics aesthetic problems. Construction of the fourth chapter discusses music theory Aesthetics Aesthetics of Chinese music evolved system, combined with the popularity of the background discussed nationalization, unified and diversified problems.This paper combines music aesthetics, music historian existing research results, combined with the music before the founding of practice to build context the development of musical aesthetics. To improve and complement the aesthetic of music spread before the founding of China, and promote the development of Chinese music has a positive sense of aesthetics, but also re-thinking on the development of music aesthetics before the founding of the initial phase.