Nong Lai Fung Fertilizer- Tang Dynasty Ladies Draw Of Aesthetic Research

Chinese ladies figure painting history lingering, the process of its development is also a long and tortuous, until the Tang Dynasty, influenced by the political, economic and cultural impact, paintings as a independent painting is promoted to the mainstream of the history of Chinese figure painting. Paintings in the Tang Dynasty can be described as colorful create different style beautiful ladies painting image, to the heyday of Chinese traditional figure painting. Which because of the Tang Dynasty is the most flourishing period of history, economic prosperity, political Qingming, whole nation from top to bottom showing a Megatron Quartet of demeanour. At this time there was no rulers of feudal ethics and rites fetter, began the development of free and open, began to focus on women’s real life and the spiritual world in the true sense. The form and technique of painting are also really do have no equal in this world, the spirit of integration. Painter of the Tang Dynasty ladies mainly to Zhang Xuan and Chen Hongshou represented, the pursuit of the art form is "luxuriant Li abundance of fat," Tang Meiren image, and then rulers pursuit of wide body fat fat shape aesthetic thought to fit, at the same time also fully embodies the palace female demeanor and Datang steamed steamed on the politics, economy and culture.This paper discusses the paintings of beautiful women of the Tang Dynasty painting character and unique aesthetic charm and aesthetic constitution of causes and paintings of growth from three aspects of the context of the development of the Tang Dynasty ladies draw, characteristics and aesthetic interest. From the Tang Dynasty ladies draw works can be seen in the aesthetic style of the Tang Dynasty ladies draw is the development process of a cathartic. It conforms to the trend of the development of the times. The early period of the Tang Dynasty, paintings image still in use in the period of Wei and Jin Dynasty "the bone Xiu Qing like" style, until the Tang Dynasty Zhang Xuancai opened the paintings of fresh Shang, Painted Ladies image Feng muscle Shuo, chubby cheeks eyebrow, well-dressed, temperament elegant and noble. Effect of in the middle and late Tang Dynasty period Zhou Fang Xuan, in painting gradually formed "clothes concise", "color is soft and beautiful", plump body-building body paintings style. And the Tang Dynasty ladies image is gorgeous dress, makeup, makeup and various accessories. And the Tang women’s clothing is more refreshing and in feudal society in the status of women is far less than that of the male and female mannerisms are subject to strict feudal oppression, but women in the Tang Dynasty in terms of dress to break stereotypes, they dress topless chest and women of Han Chinese clothing, wear a long dress.The Tang Dynasty is the society of the development of the Taoism and Buddhism in the parallel, the female is generally the male accessory, with the male aesthetic standard interest come to decide. Since the Tang Dynasty rulers with Hu ancestry, they dare to pursue personality and life remain free, dreams, they appreciate the physique, open-minded, relaxed the female ideological captivity, the status of women began to improve, the painting has been further developed, and the middle of the Tang Dynasty, the political, economic prosperity, the ruler of the Tang Dynasty with the same treatment in Han and non Han people, especially the Tang Dynasty cultural exchange, opening up to the outside world, SMOOTH OPERATOR Silk Road, so many ethnic minorities and foreigners come in great numbers, also increase the color for the arts, but also created thepeople’s high confidence has created the world peace in Tang dynasty.