The Generation And Dissemination Of Liu Sanjie Ballad’s Literary Characters

The academic circle are never getting tired of studying the Liu Sanjie culture. As early as in Qing Dynasty, the scholars were interested in studying and investigating Liu Sanjie herself and her deeds, which shows that academic circle retraced and affirmed the History and culture of minority. However, these kinds of traditional research method are based on imagination and soon they come virtually to impossible state Instead, they reveal the real spiritual connotation of Liu Sanjie culture. From The ratification of truthfulness to cultural reconstruction, it is the turning point of in the study of Liu Sanjie culture. In the 21st century, different kinds of subjects are sequentially set up and perfected, and crosses and integration between interdisciplinary subjects become an inevitable trend. Under these background, Liu Sanjie, gradually becoming the Cross-point subject, covers philosophy, history, anthropology, culturology, musicology, ecology, and literature, etc. It has become a symbolic sign. Based on it, this paper manage to find out a new method to meet the need of current cultural development, and highlight its connotation in the level of spiritual culture. In fact, however diversified it is in studying Liu Sanjie, it always links up with an innate phenomenon as singing with ballad form and presenting with the literary characteristics. Thus, systemic studying from the point of view of ballad literature should be a new perspective in studying the Liu Sanjie culture.This paper includes four parts. To obtain the practical reason and theoretical basis, the introduction focuses on introducing the present situation, meaning and theoretic value of Liu Sanjie’s ballad research. The first part is the composing dimension of Liu Sanjie’s ballad which explain specifically the production in possible way and its composition. It is no doubt that Liu Sanjie’s ballad is an important intonation and the production of groupthink and carnival culture which contains great part of folklore. This paper will discard the dross and keep the essential from extensive time and space room. to take on the clear appearance of the ballad and the possible literary factors. The important step in this paper is to cooperate the methods of micro visitation and macro-combing. First, with micro-visitation method, it places systemically the Liu Sanjie’s ballad in different periods to show the course of evolution. Second, from the Liu Sanjie’ ballad developed outline in different period, this paper organizes the micro relation with literary. It explain particularly the generative sphere and the main body outline of Liu Sanjie’s ballad.The second and the third part are the main body in this paper. They focus on explaining and demonstrating the generation and dissemination of Liu Sanjie ballad’s literature characters. There are five fractions in the generation of Liu Sanjie ballad’s literature. Such as the realistic theme with moved by the sad and happy sense, dramatic story with legend, typical imagine with distinct and unique, competitive discourse with elegant and humorous, methods with colorful rhetoric. The dissemination of Liu Sanjie ballad’s literature characters is the Continuous derivative literature of generation. It reflects the construction of the ethnic experience in the modern Guangxi literature it also embodies unique and uneven style of in the early period in Guangxi. This part compounds with the methods of lyric subject, poetic and narratology to investigate the folk-custom in the Zhuang areas and explains the regional characteristics of ballad’s literature. Of course, the generation of Liu Sanjie’s ballad can not get away from the control of ideology, the economical development and the support of technology. Its dissemination is an important part in the superstructure.In the last part, it concludes that ballad likes the spring river water. With vivid metaphor, it illustrates the Liu Sanjie ballad with artistic charm of free and lively, continuous ballad...