A Brief Analysis On Singing Art Of Ulanqab East Song-and-dance Duet

As a form of Inner Mongolia music that combines the culture of Chinese and Mongolian deeply, song-and-dance duet carries the characteristic culture of Chinese and Mongolian. Yet it is considered “just for fun” that hardly appeals to refined taste because of the performing and audience level, we should not deny that song-and-dance duet has been through history and developed all the way to prove its article value and social status by its powerful vitality. With favor of people and attention from society,song-and-dance duet proceeds. There is necessity that we study it in deeper level on this condition. Comparing with the west song-and-dance, inferior progress measures and less social focus make the east song-and-dance duet developing at a disadvantage and making no breakthroughs.The article contains four chapters. In the first chapter, by collecting massive materials, this allows the author to be able to analyze from different angles, for instance, political economy, geographical conditions, forming procedure, hit zone, cultural backgrounds, leading figures, to make a specific summary of song-and-dance duet. And the author tries every way possible to make a clear introduction of east and west song-and-dance duet. In the second chapter, the author points the east song-and-dance duet out and discusses in multilevel through artistic features of singing performing and interviews of brilliant artists to emphasize that the east song-and –dance duet becomes what it’s like today is for there is complete developing history and artistic resistance. By analyzing in details, the author intends to improve acknowledge and understanding of the east song-and-dance duet to a new level. In the third chapter, the author particularly visited folk artisans and professional east song-and-dance duet performing artists to learn and summarize the skills of singing and performing, putting personal experience in the article to feel the artistic charm of the east song-and-dance duet moredeeply. In the fourth chapter, facing with the challenge of multi-culture, the newly born cultures are threats to the traditional one which include the east song-and-dance duet and that might be an obstacle to the development of the east song-and-dance duet. How to protect and inherit the east song-and-dance duet is the very first thing to consider and solve. So the author intends to propose practical methods that would be positive for the researches and inheritance.In the whole article, the author tries to pick something out and state with target on the basis of former researches on the east song-and-dance duet of Ulanqab. By collecting and classifying present data and materials thoroughly,the author hopes to pave a way for the east song-and-dance duet to improve and inherit.