Dynamic And Static Contrastive Rhetoric In The Narrative Dance Works

As a show of formal beauty of dance arts, it has a unique visual effect in the form of expression, and was given the spatial characteristics of sculpture style, this feature provides a wonderful idea for the dance, beautiful gesture, the skill, precision smooth screen design in the process of scheduling and dance manifested rapture charm, shape, expressing the essence of beauty of dance, and the audience will derive enjoyment of beauty. And all this mix of everything from action figures passed. When it comes to the dynamic modeling of the shape created by the United States would have to mention the transformation and contact dance dynamic and static two states, through this link will dance show dance works as mood, emotional approach has been reached with the audience resonate purposes. The prerequisite is that you need to add resonates strongly dramatic conflict in the narrative process before the dance works, and these translate into dramatic conflict erupted and emotional climax, the only way to interact with the audience hearts, to give the audience understand the work to be content performance. For a discussion of this issue should be built on the basis of some previous studies above, through the existing literature research and refinement, can be more easily and clearly sorted out the rules and principles of common and widely recognized by the industry.At the beginning of the article, the author of various elements of dance works that appear in the classification, the comparative static and dynamic movement between the elements and the same contrast between the different elements of chalk study summarized the relation between the elements and the same incompatibility between the different elements, in contrast to the same element, the paper selects the action, the characters and the composition of these three elements of research, clutching the "same" concept, seek different in the same comparison. In contrast the different elements of the movement, the strength of paper selected action, music, stage environment of these three factors, looking at the differences between each of the dynamic and static contrast to works produced those buffs. And draw out their own nature have opposite characteristics were compared. Finally, some of the outstanding features of significant dance works, by way of illustration method is described in the original theory based on the results of the new conclusions. Second half of the article, combined with the results of the previous studies and examples of review and summarize the principles and laws which in contrast to the rhetoric of narrative dance movement has, summed up in terms of the principle of correlation principle and the principle of comparative impact on the narrative, these two principles governing the static and dynamic contrast comparability. In terms of the law, after a number of dance works come to seize the comparative analysis of the opportunity to find a good comparison of reference and express emotions through movement status of these three rules, you can better show the essence of the movement’s rhetoric comparing these laws. In conclusion, the article analyzes made several award-winning works through summed up the effect and role of narrative dance movement in contrast to the rhetoric of the work produced, and by comparing the impact of the narrative, the narrative analysis to show emotions, come to the relevant research results.