Research On The Images Of Goddess In Popular Fiction Of Ming And Qing Dynasty

Goddess image existed as early as the mythical period, with the creation of Taoism, Buddhism in China, folk made god development, groups of goddess emerged. Goddess image development to the Ming and Qing period, showing a different art style and the previous generation.This paper defines "Goddess" is defined by Discrimination and "Goddess", "fairies" and other similar concepts, defining goddess referred to herein are defined by Women, for the prototype, with some divinity and divine identity image, excluding banshee, ghost, witch, or other potentially divine identity atheism female image. Goddess general features include user-friendly features and characteristics of divinity.Secondly, the Ming and Qing popular novels showing the goddess image classification, they can be broadly divided into three categories:smart, love and war type. Smart goddess reflects the typical sense of mother worship, the love goddess reflects the author’s "Daydream" and confidant complex, war goddess type reflects the ideal relationship between the monarch and minister and name the history of the peasant uprising.Finally, this paper attempts to dialogue with academia, for the "goddess of the lost," the academic hot topics in the field of popular fiction to answer within the Ming and Qing Dynasties. Goddess of Heaven in popular fiction in Ming and Qing Dynasties, precisely reflected upgraded, this change is caused by the traditional Goddess Worship, Ming and Qing female concept of change.Goddess image condensation collective memory of the Chinese nation, the Chinese world of common national sentiment. Goddess image of research and development, reveals the core of Chinese culture, is a tolerant, peaceful, feminine goddess culture call.