On The New Change Chinese National Ballet Creation

In twentieth Century70time later period, a "Tales of the Silk Road" opened the development of renewable China Dunhuang dance art curtain。 And thus was born the Dunhuang dance such a China classical dance genre。 After more than20years,"Dunhuang dream" dance will renewable Dunhuang dance art development to a new peak。"Dunhuang dream" is undoubtedly to Dunhuang dance as the main body, but its performance is also integrated into the ordinary classical dance, a considerable number of modern dance, folk dance and ballet, Arabia dance elements。 But this dance drama beyond its predecessors "Tales of the Silk Road" lies, it is no longer satisfied with to dance to the narrative, but also to use the dance to create characters, expressing their ideas and emotions。 The above listed "Dunhuang dream" choreography and performance in the various phenomena, are undoubtedly shows since entering the new century large‐scale national dance drama creation of some new changes。 Therefore, the author believes that,"Dunhuang dream" the creation in the new period of the National Ballet, choreography, dance movement skills in vocabulary, scenery, music melody and so on, has the research value is worth further exploring the。 Therefore, this thesis writing, the author chose "from ballet" Dunhuang dream "of China’s classical National Ballet creation new" this topic。。Hope that through the interpretation of the National Ballet "Dunhuang dream" creative characteristics, to reveal this ballet for the National Ballet creation in the new period of enlightenment significance。This paper is divided into five parts。 The first part is the introduction, is a summary of the direction of topics, the research background and significance, the current academic research status, research ideas and methods, the structure of the thesis, the innovation and the research emphases and difficulties in all aspects; second part, according to the National Ballet "big Mengdun Huang" four scenario, using poetry of the language to show the "Dunhuang dream" of the story; the third part, from the macro and micro cross, classical and modern integration perspective, to interpret the "dream Dunhuang" showed the unique composing skills; and from the "dance skills of beauty","beauty of music melody","the story of the beauty", "stage design beauty" of the four aspects, separately explain "Dunhuang dream" to the aesthetic features of the national ballet。 The fourth part, from the "colorful dances and blew dance","not to follow the beaten track of language and action","beautiful music and colorful stage","dazzling high‐tech scenery" of these four aspects, the interpretation of the drama creation new variable National Ballet "Dunhuang dream" both the。...