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The View Of Ecological Aesthetics Of Hei He’s Animal Novels

Posted on:2015-07-23Degree:MasterType:Thesis
Country:ChinaCandidate:Z Z YanFull Text:PDF
GTID:2285330467956905Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
The Mongolian writer of Hei He is rapid rise in recent years, His animal fiction isnot refer to animals by human beings and the relationship between one person toanother, but bring animals to back to nature,and write the animals as the animals, withthe animals in the vicissitudes of the world today, and the change of the humanrelations reflect modern Chinese society in the process of some side of life,which isdifferent from the writers like Shen Shixi. The author with the sad tone to thedescription of city, urban rapid advance in grassland’s retreat, decay. He describesthe modern civilization of the wind into the prairie grassland to change people’s livingstyle and the loss of the grassland culture, and describes the prairie animal in amodern way of life to or be destroyed or domesticated misery. And it is not just alonesays the situation in China. The author is consciously put their work in show in thebackground of grassland culture in the world. Encountered in Inner Mongoliagrassland is one of the world for thousands of years of a microcosm of the northerngrassland culture. The author from the perspective of the world’s ecological culture tolook at China’s modernization, people in grasslands and animals’ suffering. In thissense, Hei He’s novels of crane should be called ecological novels rather than generalanimal novels. The author as a tone of writing makes his novels like he’s Mongolianprairie vast, deep, sad, beautiful.
Keywords/Search Tags:Heihe, ecological aesthetics, animal novel
PDF Full Text Request
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