Opera "the Marriage Of Figaro" Figaro’s Aria Music Analysis And Processing

Opera " The Marriage of Figaro " is one of the most frequently staged operas at home and abroad, and in an important position in the history of the opera world is self-evident, it’s classic, no doubt. It’s extraordinary musical genius of Mozart, the realization of the music, the script, the perfect fusion of language, through the inner world of the characters vividly portrayed so vividly incomparably greeted the audience. Figaro good shape this classic role, in addition to the excellent reference version, look for the role of commonality, the need to interpret individual’s treatment process. The opera arias are among the deepest character monologue, but also the role of musical identity. Therefore, for the artist, the analysis is the interpretation of the aria and doing paperwork role is particularly important, especially for the interpretation of the classic opera roles, more should have a personal opinion and interpretation.Based on the Mozart opera " The Marriage of Figaro " in the three Figaro’s arias:"Se vuol ballare","Non piu andrai","Aprite un po’quegli occhi" music ontology analysis conducted in accordance with developments and changes in the role of inner feelings, combined with the author of Figaro corner singing practice, the concert raised handle the corresponding paragraphs personal point of view, to achieve the overall grasp of the role of Figaro.