The Study Of Mo Yan’s Literary Views

Mo Yan’s literary viewpoint, is not only a certain explanation about his literary creation, illustrating his standards of aesthetic, aesthetic tendencies and measure of value, but also a theoretic summary of his thinking about literature, humanity, life, hometown and so on in 30 years. It’s also a revolt against literary viewpoint under the attachment system before the 80s in the last century. Explanation of his literary viewpoint has theoretical significance for the full interpretation of Mo Yan’s literary works;It is also of great reference value to compare differences and commonality among contemporary writers, and to comb contemporary literature development as typical cases of significance, this paper, with the literary world created by Mo Yan as base, with Mo Yan’s dialogues, speeches, thesis as the main object, discusses and explains Mo Yan’s literary viewpoint comprehensively, and judges the effectiveness of its literary viewpoint and its limits, hoping to showcase the richness of literary thoughts of Mo Yan, and have a clear grasp of Mo Yan’s advocation for literary tendencies, in attempting to reveal its literary concept while finding the theoretical origin and the practical basis.The first part of the paper focuses on the research of Mo Yan’s literary thought and research of artistic view subordinating to research on thought, and describes and expains several key aspects of the research status and research weakness.The second part analyzes five specific aspects of Mo Yan’s literary viewpoint which have researching potential and value:feeling guiding writing, folk concept and "as folk" concept;fiction and art concept and new prose concept-rheology of prose fiction, literary and a sense of sin, repentance consciousness, world literature and Human theme. Conducting elaborately in these five areas, the paper intends to point out that the unique core of Mo Yan’s literary viewpoint is "surpass", "subjective" and " human".In the chapter of world literature and human theme, this paper intends to illustrate the impact of traditional Chinese literature and foreign literature on the formation of Mo Yan’s literary style, and try to point out an advancement phenomenon of Mo Yan’s literary advocation:Mo Yan’s literary viewpoint has transcended ethnic, class, political and historical limitations, has realized the construction of the responsibility for the Chinese contemporary writers of world literature; the interpretation and analysis of the position of world literature, is the future direction of its artistic concept and creation.The third part makes effort in exploring the internal logic of the relationship, making it a tight, harmonious and unified system,and positioning Mo Yan’s status and role among literary writers.Finally, we carried out the introspection of his literary view’s disadvantages, the discrepancy between literary views and his literary work practice and in some extent it’s disconnection. This part is to point out the difference between Mo Yan’s works and literary views.