‘‘National Fable’’: From The Perspective Of Postcolonial Theory In Wang Anyi’s Novels

As an important Chinese contemporary writer, Wang Anyi’s literar y creation had have forty years today. In the economy marketing tra nsition in the ninety, a large number of poets, writers went away from literary circle, but Wang Anyi still maintain exuberant vitality of writin g, not only with a more sharp eyes perceive into Chinese social aspect s of the changes, and in the "with the background of the internationa lization of"(Wang Anyi’s words) under the field of vision of imagin ation and architecture of the novel. It can be said that Wang Anyi’s li terary creation in the contemporary literary world is a unique existenc e, identity and construction of her novels and "national consciousness" are closely related, most of the works can set aside the story itself a fter looking into the intent of the essence of "national consciousness" concern. These by allegorical transmits in the nation’s perspective, we will be summed up as the integrated writing a "National Fable", to explore the perspective of postcolonial theory and this cultural aestheticsignificance, will provide unexpected ideas and multidimensional resea rch space for us. Wang Anyi’s "National Fable" embodied in the back ground of "globalization" of "Orientalism" imaginary China closely an d dialectical thinking; reflected in the cultural identity of the identity a s the "other" of "Chinese nation" gleaning and reflection; reflected in t he modernization process of Shanghai "city" and "Xiang" binary oppo sition between the two alert and deconstruction; reflected in the men and women in the social relations of equal dialogue, "promiscuous" f usion may certainly etc.At present, in-depth excavation of the field of literature research on Wang Anyi "National Fable" novels of the urge nt need to systemize and generalize, and postcolonial theory to suppor t a theory of text reading and cultural significance of the works of inte rpretation, for research on Wang Anyi’s novels criticism dimension ad ded the new culture, the formation of more possibilities of aesthetic criticism.