Analysis Of The Ink And Wash Painting Texture In The Contemporary Ink Figure Painting And The Use Of Emotional Expression

Chinese contemporary ink figure painting is the inheritance and extension oftraditional painting, after continuous exploration Make it no longer limited totraditional format the layout of the painting, to the pursuit of the diversity of penand ink form, performance by more extensive theme selection and modern painterof aesthetic implication of itself, deep emotional pictures inside. With thecontinuous development of ink figure painting, ink painting skin texture such aform of artistic expression of the aesthetic value received more and more attention.While contemporary ink figure painters in his works of ink painting skin texturetechniques using sufficient attention, draw lessons from the idea of westerncontemporary painting and form, and to emphasize its emotional function in termsof their capacity to function, to ink painting tool materials as a starting point, tofurther explore in effect, all kinds of materials in the creation of the limit, it ismore objective and in-depth studies on cognition.This paper mainly divided into three parts, the first part of the definition ofcontemporary ink figure painting are expounded briefly, ink painting skin textureas the breakthrough point, mainly produce and application of various of inkpainting skin texture and the relationship between the effects of different materialsand a detailed explanation.The second part mainly explains the relationship between ink painting skintexture and emotional expression, through the analysis of contemporary ink figurepainting in ink painting skin texture, composition and influence of skin texturepainting effect of each factor and so on several aspects, to explore the ink paintingskin texture effect of emotional expression in contemporary ink figure paintingand application, including how to use ink painting skin texture of the main factorsand the significance of ink painting skin texture images for emotional expression. The third part combined with the work of representative contemporary inkfigure painters, as well as my own creation through comprehensive analysis,positive evidence for the previous views, get a more comprehensive and reliableargument to support. Finally make a comprehensive summary to the full.