The Fusion Of China Landscape Painting And Suzhou Private Garden

In the development of Chinese thousands of years of history, China traditional culture in a bright pearl -- private gardens in Suzhou, became a magnificent scenery become an independent school. Since ancient times, men of literature and writing Jiangnan is auspicious treasure house, at the same time, another cultural treasure of China -- Chinese landscape painting, also with private gardens in Suzhou and common development,integration between the two and the rise and fall of affect each other, and gradually formed a close relationship. Chinese landscape painting at the emotional trust between landscape,gardening and landscape layout and landscape design picture of tender affection into the garden, which had "painting admission, because the painted scene" landscape painting.Impact on the private gardens in Suzhou is largely derived from the landscape painting of the powerful theory and painting techniques, private garden in Suzhou Jiangnan garden, is the banner is a model in the classical gardens, classical garden beauty is described from multiple angles. In this thesis Chinese landscape and private garden in Suzhou as the research object, focuses on the interpretation of the mutual fusion in the base of philosophy, history, form of expression and aesthetic aspects of the two. Both the fusion Park theory and painting, painter and landscape gardener, space layout, poetry expression and so there are many, all of these provide a solid foundation for the research of Suzhou private garden and landscape painting Chinese blend and rise to the aesthetic level.This paper has the philosophy basis of similar from China landscape and private garden in Suzhou:nature, harmony between man and nature, harmony of poetry and painting etc.elaborated, two are adhering to the "from the nature and above the nature" the target, the natural landscape, plants, buildings and other basic elements, through the artist gives its spirituality, give the transformation of form, as the composition of the paintings, used to express emotions, express the mood, expounds the communion of the person and the nature harmonious thought. Theoretically speaking, the history of Chinese gardening theory than painting theory late more than a thousand years, this time by the private garden landscape painting theory guide, was the essence of landscape painting theory, in this period, the majority of Chinese classical gardening art from the landscape painting theory enlightenment "--to a point ink, taken the land" and "a peak Taihua Chihiro, as poon is Jianghu Wanli" agree without prior without previous consultation, so painting to some extent can be said to be the garden theory. Conception in composition form,expression of a scatter plot perspective method and "three layers", "three far" method, pay attention to the virtual and real space processing, hidden and exposed, sparse and dense,with a small apartment and choose the reasonable arrangement, play a very important role in guiding these to Suzhou private gardening activities. From these to explore Suzhou typical garden landscape gardening art, thus a more profound confirm the effect of China traditional landscape painting of Suzhou private garden.Analysis of Suzhou private garden of the art essence by Chinese traditional landscape painting, to find the beauty of artistic conception of classical garden from the private gardens in Suzhou in two, the blend of subtle has become the main direction of our research, and explore China landscape and private garden in Suzhou blend thoroughly from the philosophy, development history, form, aesthetic taste etc., so that contemporary designers more understanding of nature and landscape relationship, using modern techniques combined with the essence of the history to create a more suitable for modern people living landscape.