The Study About "Freedom" Of Existentialism And Post-modernism Painting

Aesthetics is a kind of humanistic spirit in the sense of creation, it cannot leave "age" in the survival and development of the soil and the public’s aesthetic appeal. Since modern and contemporary existential aesthetics began in the first half of the 20th century and later a postmodern painting effects of widespread, has can not be ignored on the artistic creation and other fields. Based on the existence of the "human" existentialism, give self characteristics and humanistic care to the painting language; Post-modernism on the basis of it, and more diverse, art is more subjective, more dramatic, at the same time, it also let art is more controversial.This writing is based on the existence aesthetics, on the basis of trying to discuss the influence on postmodern painting, specific interpretation involves the positioning of the existentialism aesthetics and postmodern painting concept, the formation and development process, the theory of postmodern painting source as well as analysis of postmodern artists and works, but most of all, the author tried to convert it to the actual use of self, and a realistic view to take care of the connection between the existentialism aesthetics and postmodern painting, from the perspective of the author’s own painting creation in this paper, the existential aesthetics and postmodern painting brought to the author’s creation theory support and creative inspiration.The structure of the paper is divided into four parts, the first part for the graduation design topic selection and implementation plan, the second part is about "freedom" existentialism and postmodern painting’s origin, concept, the analysis of focus, the third part is the study of the relationship with the related works of art, finally the author personal creation and existential understanding of "freedom" and the postmodern painting language, namely existentialism "freedom", in the modern painting language popular, more can let us restore the essence of painting, found that the vitality of aesthetics, the return of it is a kind of inevitable, at the same time is also the requirement of the existence and development of postmodern painting language, only by fusion of the two, and "freedom" aesthetics of existentialism to lead the art, to make the art to evergreen and development.