Development Evidence In Belcanto Singing Skills And Research In Three Aesthetic Subjects

The development of the singing skill on Belcanto②can be traced back to 17 thcentury, namely the alternative period from the Renaissance to the Baroque. The development of its vocal music has experienced a period from monophonic music to polyphonic music to choral art period. The singing skill of Belcanto was born with the birth of the first European opera Daphne to adjust the recitative and lyrical operas that were created in opera works. Belcanto makes up for the monotonous defects of singing skills. Other defects such as no musical &harmonic color changes and insufficient volume can also be made up. There is no doubt that it is a breaking-through improvement in the development of vocal music. Belcanto has become the leading singing skill for the later hundred years.Throughout the development history of Belcanto singing skills, its artistic principle and aesthetic concept runs through all kinds of Western Classical Vocal genres and works.Starting from the birth of opera, Belcanto singing skills were born and raised in operas, the diversified forms and demands of creative works prompted the Belcanto to be further mature in technique; it went to its summit in the Castrato Era, when the as the castrato singing is characterized as its CLS and virtuoso singing skills. It declines at the end of the 18 thcentury, when art songs with delicate sincere emotions rises and opens up the romantic era of Belcanto. It is not until twentieth century, modern elements were emerged into a new form of singing and dancing joyously---- musical opera stage. The musical opera was developed from the light opera into a comprehensive form involving melt singing, performing, dancing and rapping. Until now, Belcanto singing skills not only maintains the original classical style and romantic style, but also presents the fusion and the development of the new. These developments arise from the aesthetic needs of Belcanto singing skills in different historical periods, and aesthetic needs arise from large quantities of people who love Belcanto in different periods. These people are the aesthetic main body of Belcanto singing skills, they drive the development of Belcanto.This paper investigated the aesthetic degree of Chinese contemporary aesthetic subject to Belcanto singing skills based on the research in the development of Belcanto and the varieties of its aesthetic subjects so as to better analyze the vocal music aesthetic issues in contemporary people’s eye condition. The first chapter reviewed the development ofBelcanto singing skills and their aesthetic subjects,historical changes. Of course, the aesthetic subjects must have a certain aesthetic ability, so the author in the second chapter,according to the survey, divide the aesthetic groups into the following categories: 1, professional scholars, 2, amateurs 3,amateurs who love vocal music singing but not Belcanto. In the third chapter, the paper analyzed and summed up the aesthetic defects of three kinds of aesthetic subjects, and gave a detailed explanation on the forming reasons of aesthetic regret from both subjective and objective aspects; the fourth chapter focused on the various historical periods of the aesthetic subject to Belcanto singing skills development, finally respectively analysis of subjective and objective aspects of the summary on how to improve the three kinds of aesthetic subject, aesthetic consciousness. This is a bold attempt of the author. Studies on Belcanto singing skills from the domestic to the foreign researches are beyond count, but the number of studies from the aesthetic subject specific angle on Belcanto singing skills development research data is very poor, so I intend to comprehensively analyze and research this theory questions system. I hope that it can be of a bit value.