The Study Of Creation Techniques For Liszt’s Two Organ Works

Franz Liszt(1811-1886) was born in Hungary, Redding, 19 th century Romantic period great musician, composer, pianist and conductor. Authoritative research Liszt: Dr. Alan Walker wrote three volumes of ‘Liszt’ biography, he divided Liszt’ s life into three periods: the ‘virtuoso, 1811--1847’;‘ Weimar, 1848--1861’;‘old age 1861--1886’. In 1811-1847 years, he is keen on piano music, influenced by Paganini,he translate violin playing skills into dizzying piano skills, during this period the creation of the first ‘travel days’ piano album, adaptation of a large number of piano works, but also created more than art songs, a lot of transcriptions of Liszt’ s writing style makes exaggerated features gorgeous presentation. In 1847 when he met Princess Caroline, determined to end a brilliant show career to start a new life.So Liszt settled in Weimar in 1848 to devote himself to writing, Liszt in this period created a lot of orchestral works, such as 12 symphonic poems, symphonies, ‘Faust’ and ‘Dante’, 19 ‘Hungarian Rhapsody’ ‘travel days ’Second Department. In 1850, Liszt began writing organ works, made specifically for organ and has 35 of these works has not been able to pay attention and concern. But these works as a product of the Romantic period, is its significance and academic value that can not be ignored and should be tapped.This article from the 35 works selected representative on harmony, melody and texture two organ works and other creative techniques for the study, the analysis techniques in order to study its creation in the late Liszt’s writing style change, as well as his contribution to the art of the organ.This paper is divided into four chapters altogether. The first chapter describes the organ profiles. From the origins of the organ, development and prosperity, decline, recovery and other aspects of generalization, explained the background of writing organ works of Liszt, as well as basic overview of the work. Chapter Two focuses on two organ works of Liszt’s musical structure, harmony, modal tonality, theme motive, texture and other creative techniques in-depth analysis and research. The third chapter summarizes the creative techniques Liszt innovations in two organ works. Change of harmony and tonality on:diminished seventh chords, harmonies were so non-functional features fuzzy tone, tonal instability or even no tone. This creative thinking foreshadowed the future of music is a tonal sprout and become a way of enlightenment Debussy, Bartok and other modern composers. The development of the motif material of the past and not only continued its symphonic poem ‘Prelude’ The leit motif use practices, but also on the theme of deformation. The fourth chapter describes the contribution of Liszt organ works of art made in the development of the organ. By playing techniques and organization structure and characteristics of the works in the Romantic fusion elaborate. Liszt is a ‘virtuoso master’, his virtuoso organ works are still in their show it, into the texture of the piano writing in the organ works. His pursuit of the ultimate strength of contrast, the pursuit of running your fingers on the keyboard, and the pursuit of the rich diversity of woven structure.