Explore The State Of Chinese Traditional Figure Painting "Expressionless" And "Vivid" Relationships

Neutral figure painting is a typical representative of Chinese traditional painting and painting, is a typical form of painting. In neutral figure painting history, experience the ebb and flow of time changes make this a gorgeous flower preserved in history and development. Neutral figure painting since produced, with its deep essence of Chinese classical culture, heritage and take god, write heart method to express the object, realistic, don’t dwell on morphology of painters in the creation process can take the initiative to use all kinds of painting language, create a live history masterpiece. And Gu Kaizhi "vivid" theory put forward to face this phenomenon is full of contradictions and conflicts. As everyone knows, vivid and can’t figure face segmentation, and the "vivid" point of view through the inheritance and development of Chinese dynasties famous, until at the present time, has become an important and indispensable part of China figure painting. You can’t say no expression is no expression, on the contrary, a picture while no expression, but we can communicate clearly feel the character to our thoughts and feelings. This is a vivid and lack of facial expression, as for what is the relationship between the two, until the contemporary paintings also have a profound impact, which requires us to further explore it, study it..Neutral figure painting has a long history, for the development and research status of neutral figure painting, you can see that neutral figure painting is a representative figure painting. The entire Chinese painting has a long history in the cultural history is endless, for future generations, is to the best part of the culture to carry on. In the long history of this piece of art, Chinese art to keep its perennial inheritance and profound impact on the world culture, classical Chinese culture is often country in the world of folk culture, retaining its height.Neutral figure painting is very characteristic in Chinese painting a figure painting type, straight figure painting with its can fully reflect the profound connotation of Chinese culture, is up to the scholars, widely loved to civilians. But it and vivid description of the relationship, this paper through the analysis of the political, cultural, religious and other aspects, in order to find out.Along with the development of the neutral figure painting, and constantly get the social from all walks of life welcomed and loved, and it has a long history in the history to the long-running, no expression in modern figure painting artistic value is people have a deeper understanding. In this situation, no expression of painting all kinds of information can be rich, the Angle of modern people also to have more straight to study painting, so that we can better inherit the fine tradition of our ancestors.