Female Image Shaping Study Classical Chinese Paintings

Oil painting as an independent type, it originated in Europe, several hundred years of development, it has experienced several classical, modern, modern times, with a number of painting style, in the history of oil painting development path, in which the image of women throughout, the female models in her works is like a mirror of the society to a certain extent, reflects the living conditions of people from different angles, and the development of The Times change, the change of people’s life style and aesthetic idea, which reflects the characteristics of The Times.In mid and late 1980 s western art genres and thoughts into China, provides a lot of inspiration for Chinese oil painters, represented by JinShangYi artists began to absorb the European classical painting exquisite realistic techniques, the classical idealism spirit combined with the temperament of ethnic culture and unlock the doors of the Chinese oil painting "classical wind". Classical Chinese style oil painting, though started late, but its artistic charm her glorious, this thesis of female images in the classical Chinese style oil painting works as a starting point, from the nationalization of painting language and aesthetic characteristics, artistic conception and art model to explore, from the background of the classical oil painting, in a variety of literature, magazines, papers, network information needed to get paper material, and the related contents are organized collection, summary, classification, summary and finishing, and so on, attempts to discuss from the analysis of the classical Chinese style oil painting characteristic and time background, and analyzes several representative painters, which discuss the painter’s own oil painting language features and influence on later generations.This article altogether is divided into four chapters the first chapter is divided into three parts, the first part expounds the western classical oil painting; The second part introduces the spread of western classical oil painting in China. The third part illustrates the formation of new classical Chinese paintings. Through the discussion of three parts, looking for new Chinese classical painting with inner link of western classical oil painting, and also to distinguish the different features of them. The second chapter mainly analyzes the evolution of female images, new classical Chinese paintings in different times and the historical background, works present different artistic characteristics, thus lead to Chinese classical painting style unique charm. The third chapter is to introduce a successful artist individual works, the artists is how to use female image a carrier to convey their aesthetic orientation. The fourth chapter is the analysis of female images in Chinese classical painting wind works the value and significance and enlightenment to the whole development of Chinese oil painting.