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Reflections On The Painting And Fuzzy Lead On Richter’s Photos

Posted on:2016-07-15Degree:MasterType:Thesis
Country:ChinaCandidate:L ChenFull Text:PDF
GTID:2295330464971282Subject:Arts
Abstract/Summary:PDF Full Text Request
In the development of painting, the expression of fuzziness has It is often seen., but there is a master of his fuzzy painting language, to play a decisive role role in the development of the art world, the master is Gerhard from Germany Richter, he is one of the world’s most influential easel painting master, the status is not just because of his many different styles and themes of the works is more important in his easel painting in the traditional painting to find a new breakthrough. But the concept of painting has been redefined, at that time painting the situation is getting worse and worse, and the works of Richter makes the traditional aesthetic concept and image of modern culture is painting found. They are seeking the most for most artists is out of the traditional, find new ways, a search for new media and the idea then Richter is around the painting itself, painting the most essential things, Richter did not deviate from the painting did not abandon the traditional but instead to return to painting itselfto, finding the meaning of painting in the present. Absorb the advantages of photographic technology Richter is a variety of elements with countless changes of artists. Thinking of his calm and self denial, refusal to copy others’ style, in essence for representation of accidents on the road, so Richter painting understood as "another form of thinking". And I will pursue the master made some attempts in the creation of the above steps.
Keywords/Search Tags:free style, Richter, essence of fuzziness in Photo Painting
PDF Full Text Request
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