Theory Of The Western Landscape Painting In Chinese Painting Aesthetics

Landscape painting is the painter depicts the natural beauty and human life landscape of a mode of artistic creation. Initially, the western landscape oil painting only figure in the religious paintings or still life paintings as a foil background character. Until the Renaissance, landscape painting as an independent painting really landed on the western art development stage. From 17 to eighteenth Century, with frequent European travels in the Far East and the folk trade, the culture of different countries and economic and currency exchange in the world, while the West Chinese painting aesthetics but also to at that time the western landscape oil painting Impressionist development caused important influence. At that time, many western artists learning Chinese painting in the "beauty of neutralization", with "China in calligraphy pen usage intention bone" shape lines, learning style Chinese traditional art lively, picture to create remote and peaceful mood; and this study or even a straight continues today in the twenty-first Century. It is a reference to the western landscape oil painting Chinese painting spirit, which makes the development of the western landscape oil painting with aesthetic China. This article carries on the analysis to the western landscape oil painting creation, performance in the China painting aesthetics in landscape painting in the west, in the hope of more detailed, in-depth understanding of the western landscape oil painting creation means, more contemporary Chinese landscape painting development indicates the development road.The full text is divided in the following aspects: the first is the introduction, introduces the western landscape oil painting embodies the purpose and significance of the study China painting aesthetic subject, domestic and foreign scholars for research in this area and the research content and the method, which is the foundation of the first chapter of writing; briefly introduces the development history of Western landscape oil painting; second chapter Chinese painting aesthetics embodies the western landscape oil painting form composition, mainly from the composition, lines, color three aspects of China art aesthetics analysis; third chapter analysis China painting aesthetics of Western landscape painting artistic conception, it mainly analyzes from three aspects, landscape sketch, artistic conception; the fourth chapter is based on the based on the above research, the influence of the western landscape oil painting creation of contemporary China scenery oil painting creation; finally is the subject of research conclusion.