In The Theory Of The Opera "the Marriage Of Figaro" Kay Rubino’s Characters

Comic opera "marriage of figaro" is Austrian composer Wolfgang armadillo uz, Mozart’s most representative works of opera, opera with a witty humor way telling people about a boisterous march before marriage, the characters personality and clearly hangs clasp, in a relaxed melody flowing author defiance of the feudal aristocratic privilege and struggle. In the whole opera has a play the "little guy" is number not much, but like lubricant to connect with the development of the whole story, this is the second soprano voice interpretation of the earl of extremely- kay rubino, a boy to passionate love. To fear love is yearning and lovely image is popular with the audience.Taking kay rubino four appearances for clues, along the development of the plot, combined with the young boy playing every psychological state and external performance is analyzed in the different stage of kay rubino the character’s personality. As well as two successful interpretation of the character of times soprano singing experience as the basis, with their understanding and the understanding of kay rubino, provides a more convincing argument, the article arguments. More rare is that the author during the period of master graduate student learning, also once in the opera "the marriage of figaro", who plays kay rubino. The author with his experience in the rehearsal and performance process, to analyze characters.Paper is divided into three chapters: the first chapter is the introduction part, mainly introduced the author expatiates the reason and significance, and research findings and the status of a topic at this stage. The second chapter mainly analyzes the Mozart himself and his representative works, in combination with Mozart’s time background, analysis of Mozart in his works to express the practical significance. The third chapter is the key chapter of this paper, first introduced the opera is the marriage of figaro ", including the analysis of the script, and with the introduction of the main characters; Then through kay rubino four appearances to its character; Again, the author combined the two successful interpretation through kay rubino soprano the character of times, understanding of the role of further analysis of the character; Performance at the end of the paper the author with their own practice experience as readers about her understanding of kay rubino this character.Today, the opera "marriage of figaro" is still the world’s grand theatre stage frequently, the characters of the intricate love/hate. Earl extremely rubino kay is action, is performed in the nods eyeball pen of integral, pure kind, dare to love dare to hate his character loved by people. In this research and analysis on the characters, for parsing Mozart opera has far-reaching significance.