The Analysis Of Dualistic Conflict In Ang Lee’s Movie

With the fast growing influence of Hollywood movie around global, more and more directors and actors are not only just enduring the pressure, but also try to add traditional culture into their works. They try to “rebuild tradition culture by the Western way”. Around these great filmmakers, Ang Lee, as a great representative of Chinese filmmaker, has made a great success. He created series classical movie character, and he subtly put the movie into an oriental background, which makes viewers get both story as well as culture.However, even there have so many researches about Lee’s movie, the reason about his success, especially about how could he make his works become culture-oriented works are still not clear. How could a movie still reserves culture background even it adopts Hollywood skills, narrative, and even western story? That is the main point which will try to be answered in this article.The paper uses two different ways. By a combination of Narratology and Structuralism, the paper try to dismember every part of Lee’s film, and explores every part—not only by its superficial meaning, but by its inter-connecting, hidden meaning and relationship. At the same time, a longitudinal and a transverse are also made in order to make a deep research about Lee’s film.