| This article is based on the application of theater elements in national opera, analyzing fromthe way how theater performances, dialogues, figuring and singing methods are applied in thenational opera "wildfire and spring wind fighting old town", exploring the important significance theater elements have on national opera actors and the role building.In" wildfire and spring wind fighting old town", the author compares and analyses from the cooption of theater singing, the combination of dialogue and actor performances, the positive impact theater figure generates when it comes to shaping the character of the opera singer and the bedding the theater profession has on the role setting. He has excavated the supporting role the theater elements training have on opera actors, further exposed the inevitable connection between theater and opera, and the national characteristic of opera. Coleman said:"Theater needs to reveal the specific nature of people when responding to actions and events. Opera could become theater when it can enhance the reveal". If the music is different, the nature of an opera will change, even if the two storylines is basically the same. So, music does not serve as a secondary standing to the development of theater storyline, but the dominant position. Therefore, for the composer, being able to use the music accurately and deeply toexhibit different personalities, as well as the heart reaction in the context of the provisions, arethe successes of the opera production, which also distinguish it from other kind of art.This article not only studies the fact that national opera inherits the traditional theater elements, but also researches the essential difference between them. The former is dependent on the latter, but is also a relatively independent existence. |
