The Evolution Of Heroine Images In War Movies And TV Dramas Since The Foundation Of China

As an ancient war motif has been praised by the favors of all kinds of art creators, after the founding of the People’s Republic of China, on the subject of war art more as a carrier of the spread of mainstream culture and the revolutionary ideology, its significance lies in renewed war form values, correction is social consciousness of postmodern culture shock, strong mainstream ideology’s dominance. So the important media in cultural transmission-- in the film and television, War theme of the film and television play as one of the important types of film and television play for many years have been under the spotlight.Experience huge transformation in Chinese society, women’s social and cultural identity under the background of major changes, heroine as war theme of the film and television play important and special group has gradually become the object of attention. In this paper, after the founding of the war theme of the film and television play the heroine image as the research object, combing the trajectory of the change in its under the background of different times and the transformation of aesthetic value, and in the artistic creation and cultural reflection, the creation of further attention war theme film and television play, thinking about gender ideology in social culture changes.This article will from four aspects to illustrate the theme. The introduction part introduces the research background, and the current research situation on this subject are briefly summarized, on the basis of forefathers’ research to find the breakthrough point of this article. First chapter carding the history of the change in different times context biddy hero image, in different background on the basis of the change of social structure and cultural ideological trend, the war theme of the film and television drama heroine image is divided into three stages: seventeen years and during the cultural revolution, Heroine image showing a flattening and modeling, masculine features, after the second stage is in the new period until now, the construction of the heroine image began to return to the nature of woman, group type profiling characterization methods were rejected, the heroine of the film and television play more humanized, three-dimensional. The second chapter discusses the aesthetic value of the change in the heroine image turned, from the focus on its revolutionary spirit, dedication, to pay attention to the individual aesthetic charm, from the creation of "superego" hero to appreciate the "self" of the hero, the transition of the heroes from hero worship to consumption. The third stage is the new century, war movies and TV dramas tending to the way of popularized and entertainment, the heroine tending to more humanized and three-dimensional.The third chapter of the war movies and television dramas reflect the shape of the heroine image, some deformity of consumption is dominated by the cultural creation concept of criticism, as a female hero image have been mistaken, become tools for entertainment, subservient to the male role, in addition of some of the content of a lack of respect for the history and the fear of the hero, lead to the heroine image distortion, the heroine image into mechanical duplication and excessive homogeneity of pseudo art problems.