Analysis Of Modern Color Painting Flowers And Birds Painting In The Song Dynasty, Similarities And Differences

As an important branch of Chinese painting painting flowers and birds painting, in the one thousand years of history, has experienced numerous changes, the rest of the world in the tang dynasty, the elegance of the song dynasty, yuan Ming’s interest and ink painting and the development of steps did not stay, colorific changes continue. In a another peak, the achievements of the song dynasty extra attention. The predecessors of the inheritance for contemporary painting flowers and birds painting provides the basis of reference and inspiration, innovation of Chinese paintings in the future laid a solid foundation. Color is like the vitality of claborate-style painting, the developing course of color painting flowers and birds painting is essentially the evolving process of human aesthetic concept. Now, China is in a rapid economic development, the era of frequent communication between Chinese and western culture, inheriting the traditional at the same time, the context of a new era of traditional Chinese realistic painting of flowers and birds in aspects such as subject matter, composition, color, technique innovation, presents the new characteristics of diversification and individuation. In this paper, the color as the foothold of the study, the context of traditional color formation, under the background of Chinese and western cultural fusion the analysis of color change, it is concluded that inheritance is not telling all, innovation is not the negation of all traditional.The article is divided into four chapters. First chapter is an overview of the song dynasty painting flower and-bird painting color characteristics, combined with the political stability, economic prosperity, social background, didn’t Yang wen wu culture atmosphere, suppression and the influence of Confucianism and neo-confucianism concrete analysis form the concept of "Huang Gufu expensive" colour. The second chapter analysis of contemporary painting flowers and birds painting color characteristics, this paper form the view of modern color with today’s social and economic rapid development, the relationship between Chinese and western cultural fusion are inseparable. The third chapter is analysis of modern traditional Chinese realistic painting of flowers and birds in color, artistic conception and techniques of song dynasty inherited. The fourth chapter, the author hopes that by contrast, summarized in contemporary painting flowers and birds painting materials, tools, techniques, tonal aspects of innovation and development, through the exploration of the generations of artists, realistically reproduce the object is no longer a painting, the final purpose of the use of color, the color itself the expressive force of the future development in painting flowers and birds painting and more important role in the color innovation will become the eternal pursuit of contemporary painting artist.