The Identity Crisis And Self-identity

As one of the leading figures who is successfully into the mainland of Hong Kong director,Peter chan’s film has been focused by the public. especially to the mainland as the market "Made by chan" has been the brand influence. From do translation for John woo "Hero without tears" entered the film industry, the independent director’s first feature film "The twins story", to the blockbuster "Sweet honey", moved to the mainland after the "Martial arts" after "The warlords" and the continuation of the nostalgia movie partner in China, such as the creation of this all the way all showed Peter chan as an intellectual deep excavation of human nature, and the resulting identity characters in the film the various levels of anxiety and identity.This paper takes "the twins story”, "Military"(Ⅰ, Ⅱ),"Hemp MaFan sail" "New bankrupt" "Sweet honey" "Home of the night" "Perhaps love," "The warlords" "Martial arts" "Chinese partner" "Dear" films works as the main research object, from the characters in the film identity crisis and identity, deeply explore the theme of the Peter chan film, three levels of identity crisis and the identity of connotation and image style of expression. Full text through four parts, Peter chan in the movie identity:The first chapter, from the perspective of the rootless wandering through, through self as the core in the film, the physical and psychological experience, analyzes the relationship between man and self identity anxiety, identity crisis, and the self identity.The second chapter, from three aspects: the social contradictions status differences, generational crisis and unwritten law interpretation mainly social identity crisis of relationship between man and others.The third chapter from the perspectives of national identity, national narrative is covered, the absence of present, absent present, through the analysis of the relationship between the individual and national national identity crisis and identity.The fourth chapter analyzes the realistic films through films by the use of style and nostalgic music. Peter chan through "mirror to present" the objective, realistic images show humanity’s rich and complex. Nostalgic songs as narrative role, formed a personalized style characteristic of image language.