Singing Of Baiyun Hometown Based On Perspective Of "Spiritual Implication"

Spiritual implication is a popular topic in literature category or aesthetic category. The works connotation and soul shown by spiritual implication are often seen as treasure by artists. The perception and understanding of spiritual implication can make people understand the hidden background and culture behind the works through the works, and comb the historical context and the creation clues of the works. Especially for the music community, if people can grasp the spiritual implication of the works, they can perform the works, make innovation on the works and develop works more effectively. There are few researches on the spiritual implication in singing in the current field of vocal music performance. Thus, there are few music literatures that the author can refer to.Based on the literariness, aesthetics and its spiritual connotation and performance recreation of Chinese Bel canto art songs mentioned by the supervisor in the course of vocal music performance during the postgraduate study stage, the author analyzes the spiritual implication of Baiyun Hometown, one selected works in the concert by relying on the researched paper literature data and image video data in the process of daily learning, and combing with personal learning and performance experience in the in the process of preparation and performance of the graduation solo concert. It is hoped that the author can get the general rules of the analysis of spiritual implication of Chinese Bel canto art songs, apply them to the learning of other songs and works style, continue to apply them to the jobs in the future, give full play to the advantages of research, and make up for the loss of the analysis ability to songs contents.The thesis is divided into four parts. Part one is the introduction part and it summarizes the concept and the important significance of spiritual implication in singing according to the monographs, papers and other the literature. Part two respectively discusses the connotation of spiritual implication and the important relation with singing from the perspective of concert performance. Part three analyzes the works of Baiyun Hometown, including the creation context, music connotation and its spiritual connotation. Part four describes the enlightenment of spiritual implication to the personal signing at the stage of the postgraduate. The author expects to apply the experience to more stages, and daily study and work.