Thangka Painting Using Heavy Variety Performance Reasons

Thangka art is on the qinghai-tibet plateau spawned a unique form of art. Thangka is the name of the Tibetan transliteration, also can be translated into tang garment, tang cascades. Thangka is a scroll painting. "Tang" to smooth the meaning of; "Karma" to portray the space for the canvas.The emergence of thangka has written records, as early as the 7th century in the 7th century to the 8th century development of thangka is extremely slow, no form of painting system. Since the 9th century Tibetan areas of political ruling class struggle, the cause of the Tibetan dynasty change, at the same time "destroy the Buddha movement" to make the development of the thangka of stagnation. The 10 th century, Buddhism spread from the qinghai-tibet plateau land again, thangka art began to develop. 11 th to 12 th century AD, the thangka art entered the stage of learning and absorption of the formation of religious sects in this period with the help of thangka art manifestation to spread the doctrine in the 13 th to the 14 th century, thangka style is more and more obvious, and formed the thangka three school: regong art, mian tang painting, karma kagyu malchiel transcribing painting. The 15 th century to the 19 th century the development of thangka in boom years, this period the number of drawing thangka obvious increase, the style is tend to be diversified, technique using a purely. In the end of the 19 th century to the mid and late 20 th century, because of social unrest, thangka art of stagnation, at the same time, because the outside reasons thangka protection work do not who make the many precious thangka disappear forever in people’s eyes. The end of the 20 th century, in the domestic and international environment, thangka art has been gradually paying attention to and development of spring.Thangka art development cannot leave the culture fusion and the exchange, in one thousand the thangka art in the history of the development of technique of expression is still predominantly heavy variety, choose the paint paint still follow the ancestral down natural organic pigments and inorganic pigments, and the production process is extremely complex. Through a study of the causes of heavy variety thangka use art, can be found under the background of Tibetan culture to meet with the standard of beauty, which is formed by the helps us to know how beautiful in religious and spiritual heritage.Thangka continuously in the national fusion and the historical change of inheritance and development, and gradually formed its own expression language, and gradually to the boom. This article will through the inheritance and development of the history of thangka, using internal and external factors of interpretation of the arbitration language performance, and to explore the use of Tibetan culture in the spiritual, and forecasts the prospect of thangka development from several aspects to explain the thangka in after one thousand years of development has maintained to use heavy variety language for the cause of the creation, put forward own some humble opinions, in carrying forward thangka this art heritage and development of non-material cultural heritage list contribute a meager strength.