“The Sounds Of Heart”—about The Creation Of My Ice MountainSeries

Watercolor painting as a separate categor y of painting, form of the art language performance, with the rich material life and cultural life, and people’s aesthetic vision to expand, in the creation them e and thought also with social development and change, to adapt to the cultural characteristics of each period, seeking a new direction of thinking, close to the public in terest in lif e, the di fficulty is how to correct the deviation of watercolor painting concept, reasonable to create a contemporary new cultural context, Western painting is rigorous, and the artistic conception of Chinese painting, training of water color painting personalized language, seeking innovative thinking.The purpose of this thesis is to explore th e feasibility of painting, from the form of China painting freehand brushwork, handle th e relationship between time, water, color three, as a breakth rough in the direction of the them e and the m odeling techniques, nature outside, in the heart as the theoretica l basis for his creation, but also bold in pen and ink techniques from the change of Chin ese painting lines and co lor, with ho ok, cracked, and dyed, thick, pale, dry and wet, real and imaginary, sparse, dense and blank and other methods, with its own unique watercol or thin features to describe the im ages, in the composition of the viewfinder layout view is broad, with the tim es the development of the situation, gradually w eakening the western traditional painting single cultural im plication, the integration of Oriental spirit pursuit, shown on the landscape, this is one of my creative ideas in mind.Throughout the series of creation methods comes on a field trip, deep into the local more intuitive to feel the whole picture of the snow capped mountains, through the painting to find the spiritual hom e of my heart, this is a manifestation of a spiritual and material level transformation to the screen, the entire series creation did not deliberately to color performance, the changes in temperature and the details of the sculpture, mainly to fit into the overa ll picture of the subjec tive experience of the sam e hue control, showing that long effect of the subject.