Resistance And Coexist Between Painting From Life And Image In Contemporary

The debate about relationship between painting from life and image in painting creation, moment has never stopped since the invention of photography. Some people think, the painting from life of the here and now is the important measure of a painter artistic attainments, through the accumulation of painting from life to painting creation is full of emotion; Also, some people think that the painting from life in the current era, is outdated in painting creation, and even limit the painter’s artistic expression; There are, of course, some people have a tolerant attitude, think the painting from life is important, insist on the sketch is the foundation of painting creation, but not necessarily have to resist all the application of image, in the presence of quality, painting creation methods tend to have less important. There is no denying the fact that today’s society in the image age. Mobile communication devices, tablet PC, digital camera and network has already been popular, the surge in the number of image resources. People can through the equipment and means of reading, watching the news, watching movies, drama, also with pat, take or small video can be released through social software. In the era of such influence, image penetrated into all aspects of people’s life, is a pervasive, people also gradually formed the habit of reading. As a result, the image of traditional painting creation methods and ideas have a huge impact and impact, it is not surprising. Since we are in this day and age, can’t also impossible to change there is no sense of The Times. This paper is intended to expound the view that, i.e., as the main body of artistic creation, artists don’t need to oppose the sketch and image completely, but should pay more attention to the quality of the painting creation itself. Don’t limit yourself by the old concept and insist on painting at the same time, can try to many aspects of it; On the other hand, should not be excessively belittled the traditional sketch, after all, painting from life still stay the important position in painting creation. If it is good for works of art and artists the expression of personal feelings, the pursuit of higher realm of art, actually sketch, the use of images, are allowed and should be encouraged. Sketches are not not insist, but should not be formalized; Image is not can use, but do not abuse. In this paper, starting from the meaning and origin of the sketch to sketch the similarities and differences of the cultural context of east and west, more from the evolution of the concept, analyze the meaning of sketches, not constrained by the external form of a sketch. Then discusses the characteristics of the image age and the influence on the traditional painting, points out that the image of contemporary painting creation, the advantages and disadvantages of puts forward the viewpoint that image is available but not abuse. Then has carried on the analysis to image sketch of the meaning of the era, the attendance of contemporary painting, image sketch is interdependent and mutually resistance phenomenon. Finally respectively by Lucian Freud, David hockney and Marlene dumas three typical artist’s research, analyzes the different attitudes of different artists to sketch image, also illustrates the core of this article. Which Freud represents adhere to sketch, rejection, the image of a painter, by the oldest and most part of sketch, Freud made others, beyond the reach of art; British artist David hockney tries to, by means of image and image of the game. After the naturalism in the period of confusion, hockney through collage, polaroid, nine lens photography, methods and tools such as the IPHONE, to explore the difference in the observation of human and machine, tell people, not the camera type of observation of short frames, and more like pieces of continuous; South African artist Marlene dumas is contemporary painting prodigy, she on the images and the sketch relations give an important enlightenment to other artists. Dumas does not refuse the application of image in painting, at the same time she also have their own scale, with the identity of a driver to use image data, and not to yield to the authority of the image in the aspect of true, accurate. About image, has no problems are not available, and gradually to the problem of how to use. In the end, this article want to show the reader is not a closed point, which is a kind of attitude toward art more tolerant. If of external form, not the sketch was very traditional, even the entire easel painting is very old, but the concept of change. Thus, contemporary painting sketch image conflict and coexistence, perhaps for quite a long time, discussion of the two will surely is never out of season.