The Study Of The Geometry Modeling Language Of Wang Huaiqing’s Painting

In the late 1980 s, Wang Huaiqing started his exploration and thinking about the form, which manifest as the construction of deformation in his early creation, the Shaoxing Hometown and the later furniture of the style of Ming and Qing Dynasty. His exploration on the artistic language experienced three stages which includes "deconstruction-structure-reconstruction", the use of one optimization single material to a variety of other composite materials and the extension of the picture space. In recent years, his large creation such as “Daming Demeanors”,“Faith moves mountains”,“no furniture home” and other works made him become one of the outstanding artists in contemporary art house. In the 1990 s, he combines geometric art language with the western abstract art language structure to express the concept of deconstruction. Besides, he uses Chinese furniture and architectural theme to emphasize the layout of the picture, which highlights the fun of geometry combination. His 30 years’ lucubration and sustainable development prompted him to become the typical constructivism performance artist in Chinese history.In the later formation of Wang Huaiqing’s painting style, his teacher Wu Guanzhong influences him a lot. The geometry and simple black and white factors outlined in his picture shows us the influence of his teacher. In the 1960 s, Wu Guanzhong reveled in the beauty constituted of the unique black white wall tile in the Jiangnan Watertown. He was deeply touched by the aesthetic feeling of the beauty, and integrated the simple black and white pieces of surface geometry structure of Jiangnan building into their own images, to form their own unique language. From the construction of deformation in his early creation, the ShaoXing Hometown to the later furniture of the style of Ming and Qing Dynasty, Wang Huaiqing forms his own unique style of expression by breaking the boundary of drawing frame and using pure image geometric language to intervene in the expansion of the plane.The paper is divided into five chapters: in the first chapter, the paper talks about the drawing geometry modeling language interpretation from the point of the geometric modeling and geometric modeling language in the human early paintings used in the contemporary painting; in the second chapter, the paper discusses the interpretation of the geometry in Wang Huaiqing’s painting, from the aspects of the construction of the plane geometry symbols in his painting creation,the embodiment of the pure color piece symbols and the use of symbolic geometric symbols; in the third chapter, the paper analyzes the highlights of geometry structure and the construction of modeling language in Wang Huaiqing’s painting, emphatically from the relation of form of the black and white and the color piece space transfer between symbols; the fourth chapter expounds the uniqueness of Wang Huaiqing’s geometric structure from the angle of the form and its rule and the shape structure and its characteristics;finally, the paper comes up with its view about the revelation geometric structure brings to the contemporary oil painting, which is established on the effect of the geometric structure on its composition and the guidance of the picture form.