The Sixth Generation Of Mainland China Film Images Of The Body Discipline Research

Discipline is an important poststructuralist academic concepts. Discipline as a Modern camouflage face and operational tools which can bring modernity Critical Perspective to film studies, but also to bring the power of expression of images of the body binding effect. In mainland China the sixth generation of text study movie screen space to explore physical discipline problems, by the sixth generation of the image created by the space and the body sort, intended to describe the close ties between the body and space, Construction of the space on the body politics. As a body in space is expressed out of existence at the same time, the space has become a field of oppression of the body, the survival of human authenticity implication is negated in space, strengthen the repressive Proposition living space, after outlining the theoretical age movie inclusion and diversity of culture, expanding the space, cultural body contained, aesthetic connotation, thus revealing a sixth generation of film images of power discourse body of discipline.Body in the sixth generation films showing the main desire dew still hidden, chronic wounds, broken split, wandering free, and other physical and mental alienation of different faces, multiple heterogeneous, different from the forms and features of mainstream performance, and is attached to the body and identity double anxiety, physical and mental double trauma, identity crises and feelings of loss of internal discourse, engraved with symbols imprinted era, mixed with social change discourse, endowed with a strong practical significance and profound criticism intentions.In contemplation discipline theory, shape and features of the sixth generation of movie images of the body expressed not only reflects the reality of the body's physical condition, mental outlook and living circumstances, and hidden power discourse body discipline, highlights the sixth generation treatment, body treatment unique attitude. Under this logic, the power to discipline the body of the fuse mechanism, in collusion power and knowledge, as a Powerful Speech physical discipline is mainly manifested in the sixth generation of film images is:the body shield for suppression of discourse, the transformation of the soul, clothing signs constraint monitor display space (closed space surveillance, monitoring of non-enclosed spaces) and the establishment of abstinence order.Sixth Generation Films to produce images of the body of discipline not only from the construction of the disciplinary society, constraints disciplinary power, social production of space, space power to shape; from the point of view of cultural context, it is for the Chinese film, lack of discipline by the body caused by the body, obscured by the presence and absence of the paradoxical expression was kind enough to "sexual repression" culture limits the impact of humanism and enlightenment discourse about, and from the source point to Chinese film and Entertainment on Enlightenment Theory the intrinsic value of the conflict. Enlightenment and entertainment are Chinese internal discourse of modern cinema, entertainment and physical discipline discourse enlightenment discourse under the body of carnival is under China Film Modernity is expanded. Physical discipline as a Modern camouflage face and operational tool, but also China expansion part of modern cinema. Intrinsic Value Conflicts Chinese movies and entertainment on the Enlightenment theory point of view, the desire body under the discipline of the game between the desire to suppress the body carnival Emergence is the inherent structural contradictions of modern Chinese cinema film expanded under the body expression. Effect of body strength from disciplinary point of view, in the sixth generation of film, we can see not only the subject of the disciplinary body buried and cut, also saw the body by means of physical force to make standardized symbolic revolt that compared individual consciousness is a clear upward trend in the rise of the position and the sixth generation of film in terms of the fifth films. Discipline and physical power struggle at the same time vague ambiguous embedded in the sixth generation of film, for the body to liberate the noble ghostly presence and for the liberation of the alleged desire of the body has been presented with the discipline of the body and spiritual discipline imprisonment become dual symptom of contemporary Chinese film body expression, body expression movie mixed with dual power bondage and liberation. From the Chinese film visual sense of the steering body, the disciplinary body blocked the sublime body appearance, also brought a crisis of values secularized desire body expression. In short, the disciplinary body in its sixth generation films both positive force, but also its strength negativity. Body discipline in the management of the film body order to play an active role control film body ethics, but also become self-consciousness of oppression and hinder the process of liberation of the body, causing the individual identity crisis, restricting free expression of long-term physical barrier.In summary, a transparent prison, the sixth generation of film images always present in the body at a certain binding powers for the premise, embodied many standardized force, reflecting the reality of the body's survival circumstances, carrying invisible power relations, depression the difference between ethics and social inequality. Under Panopticism vision Body is a discipline of the object of power after forging, it is not by reason of repression, is to be technology tamed, not by the spur of the soul, is to be controlled discourse, reflects the multiple difficulties movies Physical Culture and Social Development and movie body absent expression of the presence of cultural paradox, contrasting the transition period for the body's own identity and the identity crisis of anxiety.