The Use Of Mongolia Music Elements In The Chorus Works

Of singing art in a variety of forms, which chorus is one of very popular a kind of singing form, it is also singing performances in the most common form of performance, is a star in the field of human music culture very bright pearl, the chorus is using multi voice voice to convey thoughts of music, for expressing the emotion of the music works and content is a the most direct manifestation of, the choral performances can most easily strip moving the emotions of the audience can lead to the audience in the emotional shock and emotional resonance.There are two kinds of different forms of performance, which are the art of chorus. The difference between them is that the chorus is pure voice, and there is a combination of the chorus and the accompaniment. Concert Choir is the highest realm of forms, is the most difficult, because there is no any musical instrument accompaniment chorus without accompaniment to heighten the mood music, but by the pure voice to realization of the thoughts and feelings of the music itself, it must require every chorus members to achieve precise control of sound, to make every chorus sound consistent, it is very difficult, chorus without accompaniment is the most sincere, the most natural and the most accurate form to show the style and content of the music works. In recent years, the a cappella chorus form is more and more, especially wind from the chorus of the beautiful grassland is getting more and more people’s attention, the array from the vast beauty of Mongolian without accompaniment chorus has quietly blowing all over the whole world, each of them a sounds of nature like notes flowing into the every audience’s psychology to, their performance is the most touching, their voice is the most simple, their work is the most outstanding, they with their own national music element a cappella in the stage of the world, showing the Mongolian a cappella with unique artistic charm.The structure of this paper is divided into:The first chapter is the introduction, which mainly introduces the reason of choosing this topic, research status, research significance and research methods.In the second chapter, the Mongolian style without accompaniment chorus development present situation, this chapter includes the concept of a cappella, Mongolian style without accompaniment chorus art, and the formation and development situation and Mongolian style without accompaniment chorus performance of three parts. Mongolia is a music loving nation, and has played an important role in the development of Mongolia music. The development of chorus art in Mongolia is gradually rising from around 1980s. Mongolian without accompaniment chorus from permanent rub creation or change the song began. From then on, the Mongolian style no accompaniment chorus art development opened the curtain. Since 1987, Mongolian offensive set up many a cappella choir, the most representative of which is the Mongolian Youth Choir of Inner Mongolia and Inner Mongolia Radio & TV Art Troupe choir, the two choir in numerous competitions and performances made remarkable achievements, their success, thus promoting the vigorous development of Inner Mongolia chorus cause,he third chapter through to Yong rub without accompaniment music works in Mongolian musical elements analysis to study Mongolian musical elements in Yong rub without accompaniment chorus works in the use of.The fourth chapter introduces the Mongolian composer and conductor Yong rub biography, briefly introduces the permanent rub growth process and artistic achievements. And carries on the analysis of permanent rub two song "Nuoenjiya", "Four Seas", "lonely white camel lamb" without a cappella music form.The fifth chapter is mainly analysis the Mongolian musical elements in the absence of a cappella works of artistic value. Firstly, it analyzes the elements of Mongolian music a cappella works of art characteristics, Mongolian musical elements in a cappella works of artistic value are analyzed from three aspects of the artistic characteristics of works of the content and feature of Mongolian traditional music and form of vocal music. In the end, the artistic value of the Mongolia music element in the field of the non-accompaniment chorus works including the Mongolia music elements is analyzed. To make us more aware of the musical elements contained in the chorus works of Mongolia. To lay the foundation for the subsequent analysis using the Mongolia folk music elements in the works of Yong rubu.