| The creation of western modern oil paintings is a process of reconstructing and reconstructing the natural world. It is a comprehensive and complex process. Analysis from the angle of form, color and composition language in western modern painting in the picture of the structure of the plays an important role, is all pose the most visually expressive factors in elements, is built on the subjective emotion and personal intelligence artistic creation. That is to say, the colour and form of language is not only picture is an important form of structure, and has materialized as a carrier of the emotional and spiritual, carrying the modern painting in the independent aesthetic value, rather than completely dependent on traditional painting realistic structure. Emphasis on colour and composition of language use, is to the objects to further develop and create the shape in many complex language of pure, symbolic, placed in a two-dimensional plane and stressed that the ontology of the painting, I have been painting creation and the main methods of art refers to. In research and on the basis of the western modern painting,explain the inheritance relationship between reference, from the visual psychology, aesthetic experience and formal methods for creative power, and through observation, analysis and reflection, to create individualized artistic language form, namely the subjective color and composition language, and the eventual establishment of his painting vocabulary and the artistic style.This paper will be established on the basis of previous studies, analysis of modern painting colors and strengthen and use of language, the paper mainly uses the method of formal analysis discussion.This thesis consists of three parts: the introduction, the three chapters and the conclusion. The introduction mainly elaborates the significance of the topic, the question proposed, the research method and the angle of view. The main body of the three chapter of the western modern painting of the analysis of the problem, Istudy in the oil painting and the creation of the practice of the use and aesthetic orientation were discussed. |