The Research Of Narrative And Effects On Stephen Chow Movie

Genre comedy movie as an integral part, since the advent of cinema has experienced a variety of styles change, clown comedy from the earliest to the present piece of Chaplin comedy, no matter how change, in addition to giving with the ultimate goal but also have a little joy to sadness, and in this the above principles will play their most vividly is perhaps Stephen Chow, in terms of his film degree sought, status interpretation of his work or his commercial appeal. Stephen Chow is a comedy master of HK, although he was not the first to "nonsense" to use in the comedy movie director, but he puts "nonsense" carried forward, of course, which is also inseparable from his show, Stephen Chow's average has become a box office can not go beyond the myth of HK, despite this, Stephen Chow film theory has marginalized position. I think: cultural connotation Stephen Chow movie never appeared unconscious, Stephen Chow's comedy philosophy has its own set of laws, as pointed out by many film theorists "postmodern" and a variety of deconstruction and the return of his mouth are in Stephen Chow over-interpretation, this paper is to make the right evaluation and interpretation from Stephen Chow movie theme, structure, practices and implications for future comedy aspect. This paper is divided into three parts:The first part mainly with Stephen Chow's birth and growth from a positioning perspective of Stephen Chow movie to analyze its change of road movie, Stephen Chow's birth and growth of his decision to grassroots enthusiasm and dedication, in his early career deductive process of gradual performance the relationship between the little and dreams, but also for the future he became director of the foundation, from the earliest to later co-director of the independent producers, Stephen Chow movie slowly his philosophy of play, from the earliest to the later clown culture "Grotesque" and "sadness ", this change so that he had his own style, especially into the new century, a clear theme began to appear, causing people for comedy new understanding.The main portion of the second study is Stephen Chow movie narrative skills and aesthetic sense, although techniques are very simple, but has a lot of ways and means, in this section from the perspective of four weeks to analyze the characteristics of style comedy, and his narrative perspective is his upbringing decision, there is little narrative perspective is the same director can always be used; changes in narrative content of the achievements of Stephen Chow's childhood dream is a little counter-attack, he will not ring true destiny, that various changes, thereby meet the audience to achieve an aesthetic; narrative sequence is to study the Stephen Chow movie generated a sense of a small portion of laughter, but inseparable; classic monologue dialogue has always been the most dazzling week comedy part of the audience through serious contrast text and inconsistent with the temperament of performance, resulting in a sense of laughter, a lot of text and even become a classic, it has also been talked about. In addition to the narrative, aesthetic effect is very clear, there is little comedy week public thought beautiful things, contrary to what he likes to talk about ugly things expressed in the United States Stephen Chow seems things are temporary, false of, but ugly things more real, so "real" has become the most important week comedy aesthetic significance.The third main section came from Stephen Chow to discuss immediate practical significance comedy film, movie audiences now as more and more young people of all ages to force moviegoers increasingly high demand for film, and the "fish bone culture", so that more viewers and more like plain comedy film, which is just in line with Stephen Chow movie repertoire- the weakening of the narrative, intensive language. From "Thai embarrassing" to "pancake man" seemed made for each box-office comedy Stephen Chow has a shadow, the little drama of him have big dreams, Cock wire counter-attack, and ending smile and a tear becomes a comedy moment Movies in the common theory. From the moment enjoy the taste of moviegoers to start, gradually I found a movie comedy movie of the past and the method can be. Stephen Chow movie connotation tragic ending, smile and a tear comedy philosophy gradually being carried forward, but also to film and television works in the "real" increasingly sensitive moviegoers, appreciate the more moving in laughter and reflection.