The Influence Of "Natural Taste" German Expressionist Painting On Chinese Contemporary Oil Painting Creation

This paper takes representative artists who have "Natural Taste" styles in German expressionist painting as the research objects. The paper refers to the influence and enlightenment of "Natural Taste" on Chinese contemporary oil painting by studying the artists'creative ideas, characteristics and styles of painting as well as the reflection of "Natural Taste" style in Chinese contemporary oil painting. For a long time, Chinese oil painting has been limited by the realism of easel oil painting, while "Natural Taste" style breaks the deadlock and encourages a multiple growth of Chinese oil painting to form a special fascination using a new approach to describe things and express feelings, breaking through the traditional painting aesthetic and drawing mode, and creating a new drawing language.This paper includes three parts:introduction, body and conclusion. The body part begins with the introduction of German expressionist artists and analyzes "Natural Taste" style in their paintings. The first part of this paper gives a brief analysis of the origin, history, cultural background and development of German expressionist painting. The expressionism is one of the many German schools and the most important part, which promotes the progress of German art to a certain extent. The second part elaborates the connotation and painting style of "Natural Taste" in German expressionist painting, and analyzes some highly representative artists with "Natural Taste" style. The third part discusses the development of German expressionist painting in China and the current status of "Natural Taste" in Chinese contemporary oil painting, then, studies paintings and painting language of some Chinese contemporary artists with "Natural Taste" style. The fourth part is the key point of the paper. It dilates on the theme that "Natural Taste" in German expressionist painting does influence Chinese contemporary oil painting and demonstrates the development following the combination of "Natural Taste" style and Chinese painting and the factors which influence Chinese contemporary oil painting. The fifth part mainly expounds the enlightenment and the use of "Natural Taste" in the author's painting style, and then unscrambles the emotions and creation factors of the oil painting creation, finally discusses the oil painting according to the enlightenment of "Natural Taste" and tries to put forward some thinking of "Natural Taste". The conclusion part is about the summary of the whole paper, thinking that "Natural Taste" style injects fresh blood to Chinese contemporary oil painting and promotes the continuous development of Chinese contemporary oil painting.