| As a rich and colorful ethnic culture of the country, these indispensable national art treasure Quebec has always been the most valuable cultural resources in China. The establishment of the new Chinese in these 65 years, the government has always been to and the protection of national cultural heritage to maintain a high degree of attention. Especially under the background of global economic integration, China and the world most countries, faced with a serious problem and is increasing national traditional culture resources continue to drain, and traditional crafts and arts successors. National culture is the solid foundation for our country to gain a foothold in the world culture, as an important foundation of our socialist core values of conservation, it has become an important lifeline of our national cultural spirit. The issue is raised in order to combine the screen prints of this era under the new form of art to carry forward the excellent traditional culture of the Chinese nation, keep and carry forward the Chinese aesthetic spirit. It has not only enriched the painting characteristics of the minority areas and the possibility is to provide more space for mining can greatly improve our creation.In our paintings, the minority theme has been the most important part of. The overall development of Chinese modern print, need to create a new art form. The best prints are based on the traditional form of our country to carry out a new form of visual elements of the study, which will be integrated with the new material media. This creates a new visual symbol, which can help to form a new modern painting language form under the influence of traditional culture. In the Tibetan region, there is a unique form of painting called "Xiang Ba", this is a kind of ancient Tibetan woodcut. Tibetan woodcut art has a very long history, in the era also didn't create a text, wood has been in a form of media spread in the folk. Until the Buddhism spread in the Tibetan areas "Xiang Ba" this painting art, it is a the lithograph, mimeograph prints a watermark, and powder printing print a variety of techniques combined together and formed the Tibetan traditional printmaking. In the print creation, from the reality to the Buddhist religious and touching Tibetan area in the area of national spirit and material and cultural life of various broad aspects. In the Tibetan region in life, is always an ancient woodcut shows features of life and the spirit of the media.Is to research into the regional cultural characteristics, making Serigraphs creation of new cultural spirit, also by this new form of art creation in the Tibetan nationality area in China to provide a new creative possibilities of this topic proposed. The combination of creation and the national characteristics of screen print is screen print localization for maximum likelihood, can also promote the development of the ethnic traditional culture space.In this paper, the first chapter first introduces overview screen prints, and development status in domestic law, focusing on contribution and influence of Chinese traditional printmaking in each historical stage, lead out silkscreen prints should bear the mission is the reason to select the topic.Chapter two specific research in Tibetan area in the area of clerical and secular culture characteristics and classification, focusing on the introduction of traditional Tibetan woodcut importance in reservoir area and silk screen prints of the introduction will be combination of wood and traditional Tibetan area. The third chapter analysis in Tibetan area in the area of human color characteristics and habits, speak v. screen printmaking art characteristics and reservoir region color features combine to bring fresh blood for the Tibetan area in the area of artistic creation.The fourth chapter is the conclusions of this research can be concluded from above, and works, discusses the characteristics of screen prints and Tibetan region combination interaction brings. |
PDF Full Text Request