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Signs·Text·Body-The Study Of Bai Hua’s Poetry Art In The Post-structuralism View

Posted on:2017-04-23Degree:MasterType:Thesis
Country:ChinaCandidate:S Y LiFull Text:PDF
GTID:2335330491953805Subject:Art theory
Abstract/Summary:PDF Full Text Request
BaiHua is a famous contemporary poet in China,according to the contemporary poetry history of inter-generational divide,he belongs to the third generation of poets,and he is recognized as the representative of the third generation poetry poet.His poetry creation is divided into two periods,the first period is in the early 80 s to the early 90 s.The second period is since 2010.Academic research tends to focus on his early poetry creation.The second period,BaiHua created a large number of poems,there is few people studied on them.The purpose of this thesis is to research his poetry creation art since 2010.In order to determine Bai Hua’s poetry artistic value more accurately and based on the consideration of aesthetic paradigm,this thesis used the post-structuralism view.Another objective of this article is to discuss how to demonstration his poetry is a kind of new poetry with aestheticism color theoretically.This paper is divided into three chapters.Chapter one is Bai Hua’s poetry study of symbols,around Hua Bai poetry is a kind of post structuralism semiotics of text and discuss the two main features of the symbol of poetry Bai Hua,the first is the sign for self reference and empty,to the significance,mainly some of the quirks in poetry and his unique vocabulary;the second is his poetry in the decadent tendency,which is reflected in his poems in some moral words,some main color dilution,sense of drift of vocabulary,such as drinking.The second chapter is on Hua Bai poetry text study.The study of the starting point is the fragmentation characteristics of text.When Roland Bart analysis S/Z,he read a realistic work into a pile of debris,divided the text into five kinds of codes.I also use this way for BaiHua poetry analysis to discuss the structure of his poems and reserch him how to interrupt the narrative chain then refer to the carnival.The third chapter,focused on the BaiHua’s hedonism tendencies in the text and some discussions on the question of poetics,mainly about the body of his poems and poetic.Firstly,around his poetry secularism,hedonism,how does he weave these factors into his broken text to expand.And then along the Bart’s "pornographic text study" to continue the discussion,in the poetry text,used to analyze the text of photography to BaiHua ’s poetry discussion,to know the core values of this kind of poetry as his poetry,associated with its body,so as to demonstrate why his poems is a kind of pure poetry.The results show that the Bai Hua’s poetry is a post structuralism and the thought of Roland Bart with the text and has obvious post structuralism characteristics.His poetry not only has the value of history of poetry,but also has the aesthetic value.His poetry islike a game,it’s a symbol to itself,rather than original intention.The text is composed of these symbols,with intersexuality significant featur es.Intersexuality of Bai Hua’s poetry,embodied in the sense of Roland Barthes’ s "death of author".The author withdrew from the text,no longer has the power domination function,but let the text itself in the carnival state.In Bart’s post structuralism theory,he factors into the body and hedonism,and this is also reflected in Bai Hua’s poetry,his use body as the starting point of the writing,the text has the characteristics of hedonism.
Keywords/Search Tags:Bai Hua, Poetry, Art, Post-structuralism, Semiology
PDF Full Text Request
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