The Study Of Mongolia Musical Folk Artists In Duebat

Since late Qing Dynasty and early the Republic of China, large numbers of Han people from the Customs immigrated to Mongolia area of Nenjiang River. The nomadic culture of Mongolia has changed in the collision with foreign farming culture. In this social change, Durbat Mongolia nationality folk music artist experienced the course of peak period of development to the decline. In this paper, Durbat Mongolia music folk artists are research object. Through the investigation and study on their historical background and present situation of the life, detailed and reliable data of music folk artists could be provided to researchers of Mongolia music culture.The thesis is composed of five chapters: Introduction, General Situation of Durbat Mongolia Music Folk Artists, Characteristic of Durbat Mongolia Muisc Folk Artists, Protection and Inheritance of Durbat Mongolia Music Folk Artists, and Summary.In the part of Introduction, objects of the study, purpose and value of the research, and research status are presented. In addition, a convincing argument about the purpose, value, and significance of selected topic was made. Research literature were collect and sort out and were generalized, analyzed, and reviewed carefully.Chapter 1 summary of Durbat Mongolia music folk artists. It describes historical origin and the vein about culture development of Mongolia culture in Durbat area and emerging and development of Durbat Mongolia music folk artists in two aspects: historical origin of Mongolia and vicissitude of Mongolia music folk artists.Chapter 2 characteristic of Mongolia music folk artists. It discusses the generality and individuality characteristic of music object subject, inner structure, and outer commercial survival environment of Durbat Mongolia folk song artists, rap folk artist, and folk songs and dances artists, in aspects of classification and distribution characteristics of Durbat Mongolia area in Heilongjiang Province.Chapter 3 protection and inheritance of Durbat Mongolia music folk artists. It discusses development of Durbat Mongolia music folk artists in two aspects, protection of Mongolia folk artists and inheritance of Mongolia music folk artists. Some problems existed in protecting Mongolia music folk artists and the solutions to these problems were discussed. About inheritance of Mongolia music folk artists, inheritance and development countermeasure of Durbat Mongolia music folk artists were presented in four aspects: family inheritance, apprentice inheritance, school inheritance, and social inheritance.The part of summary is complement and further discussion and conclusion for content of this paper. It is also pointed out that some demonstration needs to develop, which is also the supplement of this paper.