"Shou Zheng" And "Bian Chuang":the Conflicts And Combination During The Changing And Developing Of Chinese Opera Theories Of Ming Dynasty

Based on the influence of the traditional Confucius,the theory of"ZhengBian" becomes a very important part during the literature creation and theories studies.Between the Dynasty of Yuan and Ming,theories of"ZhengBian" formed its own theoretical system,and extended to the field of Chinese Opera.Because of the influence of the political culture and new ideas,the poetry and the opera in Ming dynasty launched a fierce debate over the theory of "Zheng Bian",The main conflicts was between Lin Chuan headed by Tang Xian-zu and Wu Jiang headed by Shen Jing.The"debates" reflects a series of problems,which the Chinese drama had to face during the process of development covering practice and theory,and the core of these problems is the concept of creation and criticism under the influence of "Zheng Bian".On the basis of the theory of "Zheng Bian",this article studies the opera in Ming dynasty theory,taking the disputes between Tang Xian-zu and Shen Jing as a example,which elucidate the root problems in the history of literary criticism,and analysis the essence and connotation of "Zheng Bian" and the problems of the development and change of "Zheng Bian",which aims to discuss the significance in the history of literary criticism of the dispute between Tang Xian-zu Xian-zu and Shen Jin.This paper's main body has three chapters.In the first chapter,by working with origin of textual research,and studying the ideological basis and theoretical origin of "Zheng Bian",the article analysis the basic connotation features of "Zheng Bian" and the characteristics in poetry development.In The second chapter,analyzing the cause of problems of "Zheng Bian"in the field of Chinese Opera in Ming dynasty-----the phenomenon of tendency of the "literacy" of the opera in the Ming dynasty,and analyzing the problems of "Zheng Bian" transform from the theory of poetry to traditional opera theory,illustrate the problems in the process of the"Literacy" of the opera in the Ming dynasty,which analysis the relevance of though of the creative thoughts in Ming dynasty and poetry thought of"Zheng Bian".In The third chapter,studying the problem of "Zheng Bian" in the Ming dynasty opera,and classifying analysis of the Ming dynasty main drama works and drama theory from the attitude of "Zheng Bian" in Ming dynasty.Summarizing the rule of creative practice,and analysis the focus problem——the dispute between Tang Xian-zu Xian-zu and Shen Jin.In the Fourth chapter,the analysis of the historical influence on Chinese Opera of the dispute between Tang Xian-zu and Shen Jing,as well as the analysis of influence on Chinese Opera in a later period and the study of ancient literary which the problem of "Zheng Bian" in the Ming dynasty opera have.Through the research and analysis,and using the Angle of "Shou Zheng" and "Bian Chuan",this part discuss the dispute between Tang Xian-zu and Shen Jing,and the development and changes of the drama theories in Ming Dynasty;In addition,basic characteristics of opera development were summarized,expounding the relationship of'Shou Zheng" and "Bian Chuan" and its importance to the development of opera so as to deepen the understanding of ancient drama theory and literary thought.